“Love means swallowing your heart” – and eleven other things you would have learned at the 2013 NE-SCBWI Conference

This past weekend was a long one. I spent Friday through Sunday at the New England chapter of the SCBWI’s (Society of Children’s Book Writers and Illustrators) 2013 conference in Springfield, Mass, catching up with friends and fellow writers and filling my cranium with knowledge and inspiration. It was a fun time, but very educational, as always; unfortunately, three days of picture books, chapter books, and YA novels goes by extremely quickly.

Against this backdrop of serious discussions and goofy conversations, slick PowerPoints and old-fashioned pens & papers, door prizes, open mics, and wine & cheese socials…all of us who attended learned a great deal about the industry, our craft, and ourselves. Listing everything I gleaned from the conference would be impossible; however, I thought I would share a few choice tidbits that stuck in my mind.

Here, then, are one dozen of the many things I either learned – or was reminded of – at the 2013 NESCBWI Conference, “Word by Word: The Art of Craft:”

1) It’s OK if your first draft sucks. Yes, we all know that first drafts will go through innumerable changes before they ever become final drafts…but this is good to remember. Just because you don’t like your first draft doesn’t mean it’s destined for the circular file; revise, revise, revise!

2) Having an intimate knowledge of the rules is important if you want to break them. Author Chris Eboch (The Eyes of the Pharaoh, The Ghost on the Stairs) taught a workshop titled, “The Elusive Voice” and outlined some ideas and methods for giving your characters their own unique voices.  During the course of this 2-hour intensive, she reminded us  that once one learns the rules, understands the rules, and masters the rules…one can break the rules. Good advice for poets, too!

3) Every story has a voice. Chris said that it doesn’t matter who the narrator is.  It might be a strong voice, a poetic voice, or an awkward or clunky voice – so remember that just because your story has a ‘voice,’ doesn’t mean it’s a good one!

4) If you realize you forgot to bring your business cards 20 minutes after you leave for a conference that is 2 1/2 hours away…take the time and turn around and get them! Still kicking myself over that one.

5) Becoming an overnight success takes a lot longer than you might think. So many published authors had such similar stories: it took five years to land the first contract, took 10 years to write the first manuscript that was sold, it took over 50 rejections before getting an acceptance.  Knowing this doesn’t really make things any easier for people like me, but it is a little reassuring to know I’m not the only one beating my head against the wall, trying to find an agent or publisher.

6) Bacon is like sex. Even if the bacon isn’t all that good…it’s still bacon! (This came from one of those “goofy conversations” to which I alluded earlier. And no, we weren’t drinking.)

7) Love means swallowing your heart. This was perhaps the coolest thing I learned all weekend, thanks to author/illustrator Grace Lin (Where the Mountain Meets the Moon, Ling & Ting).  She explained that the Chinese language – which, of course, consists of characters representing complete words – is actually made up of multiple words or concepts. For example, the Chinese character for “peaceful” is a combination of the characters for “house” and “woman,” and literally means “woman in the house.”  Similarly, the Chinese character for “love” is made up of characters representing three separate concepts: “to swallow,” “heart,” and “person walking.” Literally, love means swallowing (or taking in) one’s heart. Very poetic, yes?

8) It’s OK to sell your soul to corporate America to pay the bills. Well, Grace didn’t exactly say that – I’m paraphrasing – but that was the takeaway. She admitted that, while she was struggling to make her path as an illustrator, she designed kitschy products like coffee mugs and T-shirts that declared, “World’s Greatest Dad!” and that sort of thing. She said she was simply doing her part to help keep America’s landfills full!

9) It’s also OK to not write poetry in syllabic verse. Aspiring writers like Yours Truly are constantly being told to write poetry in perfect meter and rhyme, but that’s not necessarily true. Children’s poet/author Leslie Bulion (The Universe of Fair, At the Seafloor Café) shed light on this during her 2-hour intensive workshop, “The Art and Craft of Poetic Form.” Perfect rhyme…yes. Unless you have a really good reason for a slant rhyme, it better be perfect. (See Rule #2, above!)

Meter, however, is something else. Leslie writes in accentual verse, meaning she concerns herself with the stressed beats per each line, but not the specific meter. This means that, for example, a line she writes in trochaic tetrameter may or may not have four precise metrical feet of two beats (stressed/unstressed) each. I’ve always tried to be very tight with my metrical syllabic verse…but thanks to Leslie, I feel I can lighten up a little!

10) Just because hotel beds are uncomfortable doesn’t mean you won’t oversleep. I tossed and turned all Friday night, yet I still woke up with barely 15 minutes left before breakfast ended. I made it there with 5 minutes to spare, not because I was wide awake and full of energy – but because no one messes with my breakfast.

11) Verse novelists are not mentally unstable. If you are a verse novelist, this may or may not come as a surprise to you.  Padma Venkatraman (Island’s End, Climbing the Stairs) had one of the best lines of the conference when, during a panel discussion on historical fiction, she announced that verse novelists, like many writers, hear multiple voices in their heads. The only reason they are not clinically diagnosed with schizophrenia, she said, is because they only listen to the voices and don’t start up conversations with them.

12) If a hotel is going to serve lunch to hundreds of people all packed into one large ballroom, serving black bean soup is probably not the best choice for an appetizer. Good thing they opened the doors. Just sayin.’

My thanks to everyone at NESCBWI for their hard work and success with pulling off another terrific conference, and I’m already looking forward to next year’s! I had a chance to chat with old friends and meet new ones, and am eager to get working on a couple of new projects…which I’m predicting will be written in accentual verse. Thanks, Leslie!

National Poetry Month: “The Bubble Collector”

This year, I’ve had the good fortune of being able to interview two extremely talented and beloved children’s poets, Douglas Florian and Charles Ghigna.  Today, on the last day of National Poetry Month, I’m pleased to present this interview with one of our country’s newest writers, Vikram Madan, whose first book, “The Bubble Collector,” has just been published.  Madan wrote, illustrated, and self-published the book, so it’s been a major project for him; I thought it might be interesting to get some perspective on how this project came to be, and the path he has taken to publication…

Vikram Madan was born and raised in India, where he developed an early love for poetry and cartooning. Arriving in the U.S. for graduate studies, Vikram found himself drawing editorial cartoons for a Seattle newspaper, The Daily, garnering multiple awards in the process from the Society of Professional Journalists, the Washington Press Association, and others. Vikram subsequently worked in the Seattle hi-tech industry for many years while continuing to cartoon and write poetry on the side. The Bubble Collector, a collection of original, self-illustrated humorous poetry is his first book. (view the trailer for the book HERE.)  Vikram currently studies traditional art technique at the Gage Academy of Art in Seattle.

Vikram, you have said that growing up in India, you had “fairly limited access” to books…so tell us, how did you come to not only appreciate reading, but writing, particularly for children?

My mother was an elementary school teacher and instilled an early love for reading in my family. At the time I was growing up, books were a rarity in that few people I knew could afford to buy them. I was a voracious reader as a kid, but most of the time I was usually reading the same book over and over again! It was hard to come by books that you actually wanted to read, particularly poetry. I still remember that the first time I read Edgar Allan Poe’s ‘The Raven’, was inside – of all places- a dog-eared copy of MAD Magazine!

I am an engineer by training and learned to write by doing it, primarily through trial and error. It was after my children were born that I discovered the delightful world of kid’s books and it felt like a natural evolution to write for younger audiences, particularly since I never really grew up myself after all.

How did children’s poets like Jack Prelutsky and Shel Silverstein influence your writing or artistic style?

When I first started reading aloud to my kids, Dr. Seuss was an early favorite. I hadn’t really thought about writing/illustrating kid’s poetry till the day I accidentally wandered into a travelling exhibit of Dr. Seuss manuscripts at a local mall and was amazed to see the struggle and rework that had gone into each of his books.

It was an epiphany to look behind the curtain and realize that genius is indeed 99% perspiration! For the first time I felt that if I ‘worked hard enough at it’, perhaps I too might be able to create some decent illustrated poetry for kids.

Jack Prelutsky’s work propelled me from thinking about ‘poetry’ to thinking about ‘humorous poetry’. Mr. Prelutsky’s work also set forth a whole new high bar (for me) for where I needed to take my rhythm, meter, and use of language.

Shel Silverstein’s work was (pardon the mixed metaphor) the final missing smack to my head. Here was humor sculpted out of the mischievous interplay of funny poems and cartoon-like drawings! I finally saw a way to pull my three interests – humor, poetry, cartooning – together.

I’m sure the connection of you and Silverstein both being cartoonists is not lost on you!  How does it feel when people make that comparison, and how do you make your own work unique?

Somewhat ironically, one of the most common bits of advice out there for fledgling poets is “Don’t say your work is ‘Just like Shel Silverstein’ unless you’re actually Shel Silverstein.”  Shel was a master of the medium (and much, much more fabulous at everything he did). I don’t think I’ve earned the right to even occupy the same paragraph as himJ. His voice remains unique – I can’t replicate it even if I try (so I don’t have to worry about differentiating myself).

While most poetry collections these days focus on one subject, The Bubble Collector covers a variety of different topics.  Many are silly rhyming poems like “Ballrus” and “I Poked a Cyclops in the Eye,” but then you throw in more contemplative pieces like “Shark,” that elicit more thoughtfulness than humour.  How did you determine which poems to include?

My understanding is publishers prefer thematically-linked collections because this makes for an easier sales pitch to buyers – and buyers in turn know exactly what they’re getting (“Cat Poems”, “Poems about Robots”, etc.).

When I started working on ‘The Bubble Collector’, I found it hard to restrict myself to one particular topic or theme because the vision I had in my head was closer to Jack Prelutsky’s and Shel Silverstein’s collections (“Pizza the Size of the Sun”, “Everything on It”, etc), in which the endless variation is what, IMHO, makes them such fun to read.

Poetry is always open to interpretation and poems are what you personally make them out to be. What’s contemplative for one person may well be humorous for another.  (For example, the title poem in my collection is a light-hearted, silly poem on the surface, but reads very differently if you treat the ‘bubbles’ as an allegory for ‘happiness’ or ‘dreams’).  I tried including poems that span a wide range of styles, language-levels, and ‘angles’. It’s been particularly gratifying for me that every single reader of the book seems to have a different favorite poem, so there truly is something for everyone in there.

Vikram, you and I have both been part of the Kidlitosphere phenomenon that is Poetry Friday, where poets and bloggers share their material, interviews, and thoughts with the world.  How has Poetry Friday helped you, and what have you learned from the relationships you’ve developed?

I was excited to discover the Poetry Friday (PF) community last year and amazed at how quickly they welcomed me into their fold. Prior to this, I had a hard time calling myself a ‘poet’ (because I didn’t know who all these people were who called themselves ‘poet’ were). Now I proudly call myself one (Thanks, PF!)   The ongoing feedback from the PF community really helped me keep my momentum going, especially when it came to the slog it takes to finish the book. I’m looking forward to getting to know more and more of the PF folks better.

Why did you decide to self-publish? Had you tried submitting to agents or publishing houses, or was that never a consideration?

Based on my past experiences (i.e. several years spent contributing to slush piles everywhere), I knew that pitching ‘The Bubble Collector’ – a non-thematic, self-illustrated, eclectic and large poetry collection targeting a wide range of ages from a previously unpublished author/illustrator – was going to be a tough sell to any editor or agent. I made a few agent queries early in the life of the project and wasn’t surprised by the response.

I had also been tracking the growth of the self-publishing industry over the last few years, and had been intrigued with the possibility that it would allow me to get the book out not only sooner, but also in the way I envisioned it. At some point I just decided I would give self-publishing a shot for this particular book. If nothing else, it would be an educational journey that would inform my future choices.

FAIR EXCHANGE
I bith intho an apple
For I love the tasthe of fruith
Now I have a bith of apple
And the apple has my tooth

I chose the print-on-demand (POD) model, where the books themselves aren’t actually printed till someone places an order. This saves authors from having to make large upfront investments.

I went with CreateSpace.com as they offered: good templates; a free ISBN; automatic listing on Amazon sites; predictable author royalties; ‘expanded book distribution’ (so books can be ordered through any bookseller anywhere); and a thriving user community forum (essential for getting help).

At no point in the process was I irreversibly bound to utilizing their services, which gave me the option of changing my mind if I needed to.

I decided on black & white illustrations for the book to keep the overall print costs low. CreateSpace requires books be submitted as print-ready PDFs. I used Microsoft Word for laying out my book and created all the images digitally. After ~8 months of writing, drawing, editing, adjusting, tweaking and reaching my goal of 100 acceptable poems. I submitted my files and was excited to shortly thereafter hold a physical copy of the book in my hands. Up until then the entire effort had been a leap of faith but I’m happy to say I was very satisfied with the end result.

After another 2 months of correcting proofs I finally went ‘live’ earlier this year. Since then I’ve been spending a lot of time on publicity and marketing. They say the real work starts after the book is written – it’s certainly beginning to feel that way.

What surprised you most, along the way?

One surprise was how few obstacles I actually ran into in the process of putting the book together – the tools, technologies, and processes are maturing quite well. The other (bigger) surprise was how much I had underestimated the challenge of marketing and publicizing the book. I should have given the post-book phase more thought much earlier in the project.

So with 100 poems and 150 illustrations in this book, how soon do you think it will be before you’re ready to put another one together?

It’ll probably be a while – another book like this will take a minimum of a year from when I start, which won’t be till I’m done promoting this book, which will be a while.

Any plans to write in any other genres?

I have a few ideas for kid-friendly graphic novels that I hope to get to someday.

What advice would you offer other writers and poets who are trying to get published, either traditionally or via self-publishing?

This self-publishing experience has filled me with a lot of respect for the traditional publishing process. When you’re self-publishing, you’re wearing all the hats yourself, and have to ramp up on a lot of areas in order to make informed decisions – it is very much like doing a one-person startup! Traditional publishing automatically brings the expertise of dozens of specialists to the table, freeing the creator to focus on the creation itself.

What I would tell aspiring writers is that, if a project falls into an established category, and you have the patience to wait for decisions, there are definite rewards to submitting your work to the big publishers (e.g. credibility, quality, time to focus on future works). If, on the other hand, you believe strongly in your work and/or your work doesn’t fit in a defined category, you aren’t intimidated by technology and tools, and are willing to do – and learn – whatever it takes to get your work out there, then by all means look into self-publishing.

Just be aware that self-publishing today is a bit of a ‘gold rush’ – there’s only a handful of success stories - but because of the low barriers to entry, just about everybody is doing it. As a result one has to work hard to rise above the ‘noise’. In a recent interview on this blog Charles Ghigna (Father Goose) talked about the need for having a ‘platform’. I have to agree – building up an audience before you publish will make you more likely to succeed with self-publishing.

In the end, whichever path you choose, you have to hold a high bar for yourself and … just keep on writing!

Well, all the best to you, Vikram…and thanks for stopping by to chat!

If you’d like to learn more about Vikram’s book, visit Goodreads.com or Vikram’s website,  1000Poems.com!  It’s available to purchase via Amazon.com.

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Can you believe today is the last day for Irene Latham’s 2013 Progressive Poem?!?  This poem started with one blogger April 1 and has beentravelling from blog to blog all month long, with a different blogger adding a new line to the poem every day.  Finally, today, we have a completed poem, thanks to April Halprin Wayland!

Here’s the list of all the participating bloggers:

April 1  Amy Ludwig VanDerwater 2  Joy Acey 3  Matt Forrest Esenwine 4  Jone MacCulloch 5  Doraine Bennett 6  Gayle Krause 7  Janet Fagal 8  Julie Larios 9  Carrie Finison 10  Linda Baie 11  Margaret Simon 12  Linda Kulp 13  Catherine Johnson 14  Heidi Mordhorst 15  Mary Lee Hahn 16  Liz Steinglass 17  Renee LaTulippe 18  Penny Klostermann 19  Irene Latham 20  Buffy Silverman 21  Tabatha Yeatts 22  Laura Shovan 23  Joanna Marple 24  Katya Czaja 25  Diane Mayr 26  Robyn Hood Black 27  Ruth Hersey 28  Laura Purdie Salas 29  Denise Mortensen 30  April Halprin Wayland

Interview with Father Goose, Charles Ghigna

 As part of a month-long celebration of national Poetry Month, I am very pleased to bring you an interview with one of this country’s leading children’s poets!

Photo courtesy of Brigid Galloway

Charles Ghigna (pron. GEEN-yuh), a.k.a. Father Goose,  is the author of more than 5000 poems and 60 books of poetry for children and adults from Random House, Disney, Hyperion, Scholastic, Simon & Schuster, Abrams and other publishers.  His books have been featured on ABC’s “Good Morning America,” PBS, and NPR.  His poems appear in hundreds of textbooks, anthologies, and magazines from The New Yorker and Harper’s to Cricket and Highlights.  His poems also appear in the national SAT and ACT tests.  He serves as editorial advisor for the U.S. Kids magazines and is a former poetry editor of The English Journal for the National Council of Teachers of English, and nationally syndicated columnist for Tribune Media Services.

He is the recipient of grants from the National Endowment for the Arts, the Rockefeller Brothers Fund, and the Mary Roberts Rinehart Foundation.  He has presented poetry readings at the Library of Congress, The John F. Kennedy Center for the Performing Arts, the American Library in Paris, the International Schools of South America, and at hundreds of schools, conferences, libraries, and literary events throughout the U.S. and overseas.

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Ghigna lives in Homewood, Alabama, with his author wife, Debra, and their artist son, Chip.  Ghigna’s writing studio is in the attic of their home, a 1927 red brick English Tudor.  He calls his writing space his “treehouse.”

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It’s a pleasure to be able to chat with you, Charles. I mean, Father Goose! Or is it Mr. Goose? OK, so how exactly did you get that moniker…was it after your book, Tickle Day: Poems from Father Goose (Disney-Hyperion Books for Children, 1994) came out, or had you already been using the name before that?

Kids and teachers began calling me Father Goose sometime during my early days of making school visits.  My editor at Disney and I decided to use that moniker in TICKLE DAY: POEMS FROM FATHER GOOSE.  Artist Cyd Moore created the first image of Father Goose for that book.  Other illustrators began playing off the original image with their own interpretations, often including their new images of Father Goose in some of my newer books.

Sometimes my illustrators show Father Goose peeking out from behind a tree or hiding among the scene.  Readers tell me it’s fun for them to search for Father Goose in my books. The scary part for me is I’m starting to look more and more like my moniker every day!

You were born in Bayside, Queens, New York, but your folks moved to Fort Myers, Florida, when you were quite young, correct?  Looking back on things now, how did your childhood shape your interest in writing and career path?

Growing up in Florida in the 1950s and 1960s provided me with an abundance of outdoor activities, as well as an appreciation for Nature and animals; subjects I still write about today.  My early interest in writing came from a a couple of different sources.  My mother was one of the most creative people I’ve ever known.  She would make up stories and we would often act them out with homemade costumes and props.  Later she gave me my very own hand-me-down typewriter, an old 1923 Underwood.

I used to love watching the words magically appear on the paper and hearing the rhythmical clicking of the keys and the sound of the ‘bing’ at the end of each line.  It was fun getting lost in my own little world, making up my own stories and poems.  It still is.  I still have that old typewriter.  It sits here in my treehouse reminding me of that boyhood magic that got me started so many years ago.

I was recently asked why I wanted to write for children; I replied, because I feel like I still am one, in many ways! How important do you think it is, to keep that connection to our childhood? Or is it more important to try to connect to today’s children and their wants, needs, and interests? Have the basics even changed at all? 

Great questions!  No, I don’t think the basics have changed at all.  The trappings and contraptions that fill a child’s world today may be a little different from those of previous generations, but the human need for adventure, curiosity, and wonder are still the same.

When I speak to writers groups, I like to remind them to look at today’s world through the eyes of their inner child, as well as their own past experiences as a child.  It is the voice of the inner child that other children want to hear.  Children know that voice.  They trust that voice.  All other voices are inauthentic to children.

I tell them they can find their writer’s voice by simply listening to that little muse inside that says in a low, soft whisper, “Listen to this…”    I tell them that when you write for children, don’t write FOR children. Write FROM the child in you.  I tell them that the act of writing brings with it a sense of discovery, of discovering on the page something you didn’t know you knew until you wrote it.  I invite them to enter the writing process with that sense of wonder and discovery, and let it surprise you.  If it does, it will surprise your readers as well.

Your recent My Little Planet series (Picture Window Books, 2012) is geared toward younger readers, while other books, like Halloween Night: Twenty-One Spooktacular Poems (Scholastic, 2003) for example, are geared for older kids.  As someone who writes for such different age groups, how do you keep your audience, vocabulary, and subject matter focused?

Writers are actors!  The only difference is, we get to make up our own lines.  We try to get inside the minds and imaginations of the age group for whom we are writing.  We become them, then we act out on the page what we are feeling, seeing, hearing, and saying.  When I write for toddlers, I am four years old.  When I write picture books, I’m five or six or eight.  When I write for YA, I become a teen again.  When I write for adults, I am myself.

I try not to think too much about “audience, vocabulary, and subject.”  Many years ago when I first began writing early readers for Random House and other publishers, I was given charts of vocabulary appropriate for each age group and lists with the number of words appropriate for each age group.  I was encouraged to read the latest books to see what subjects were popular.  I put all of that nonsense in a drawer and forgot about it.  I didn’t want all those facts and figures getting in the way of what little confidence and inspiration I could muster.  I began writing from the only way I know how, from the inside-out, rather than from the outside-in.  I knew I could go back and edit AFTER the creative process cooled off.

More than sixty-some books later, I think my contrary techniques seem to be working out just fine.  Now having said that, I do hope my editors are not reading this. 

As writers, we can find inspiration anywhere: our families, nature, the kitchen sink, you name it. Is there a well you go to for inspiration, like your wife, son, daughter, or back porch…or do you follow the B.I.C. rule of Jane Yolen and J. Patrick Lewis (“Butt In Chair”) and eschew inspiration for good old-fashioned hard work?

Both.

Simple enough!  Now, you have said, “Style is not how you write. It is how you do not write like anyone else.” So how does one keep themselves from writing like all the folks who inspired them in the first place?

Enter your own world.  Listen to your own voice.

As much as I enjoy writing for children, I also write for adults, as well – it’s sort of a spontaneous release of maturity I need to do to clear my mind and sharpen my skills.  Why do you write for adults, and how is the process similar or dissimilar to writing for children? Are fans of Father Goose surprised when Charles Ghigna publishes a book of adult-oriented poetry, like Returning to Earth (Livingston Press (AL), 1989)?

I like to think of writing in different genres as cross-training.  Each genre exercises a different set of imagination’s muscles.  Those reinvigorated muscles bring new strength and flexibility to each new genre, from one to the other.  By staying open to writing for different age groups and in different genres, we are able to write about any and all ideas that come our way.

We never have to discard a good idea just because it might not be right for a certain age group or for a certain genre.  I enjoy writing poetry and prose.  I enjoy writing rhymed verse and free verse. I enjoy writing light verse and serious verse.   I enjoy writing for children and adults … and pets when they sit still to listen.  I get excited whenever any new idea pops into my head.  Then I try to write it out as best I can.  If I like it and it surprises me, I submit it.  If it falls short, I delete it and move on to the next idea.  Like you, I’m lucky.  I have more ideas than I have time to write!

You’re currently in the process of melding those two styles with the creation of a Young Adult novel in verse – a new genre for you. How’s it coming along, and what inspired you to do it?

I have two YA novels in verse in the works, both with different voices.  One grew out of a series of prose poems and the other grew out of a series of short poems.  In the second one,  I imagined two young people texting messages back and forth to each other via their phones.

Will that be your next published project, or will something else be coming out sooner?

My next project is a series of four books for toddlers that will be published this fall by Capstone.

The series is titled MY LITTLE SCHOOL HOUSE.  The individual titles are THE WONDERS OF THE COLOR WHEEL, SHAPES ARE EVERYWHERE, NUMBERS IN THE PARK, and THE ALPHABET PARADE.  The trade edition of the series is titled THE LEARNING PARADE.  The illustrator is the wonderful artist Ag Jatkowska.

(Matt’s note: for a sneak peek at some of the illustrations, click HERE!)

I’ve also written two series of books for a new independent publisher, and working on a third series for them, as well as a picture book for another publisher.

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By the way…not many women can say their husbands wrote them a poem – much less an entire BOOK of poems. What was your wife’s reaction to Love Poems (Crane Hill Publishers, 1999)? 

It’s funny how that book came to be.  I had been writing little love notes to Debra since we first met.  After we married, I began leaving them on her breakfast plate in the morning and on her pillow at night.  Most of them were personal hand-written notes never intended for publication.  Unbeknownst to me, Debra kept them in a folder and after a year or two she began typing them up and submitting them to magazines.  They began appearing in Good Housekeeping, McCall’s, The Ladies’ Home Journal.  Later a book of them was published by Crane Hill.  I think she likes them.

Ha, well I’m glad she didn’t run into any copyright issues with the person who wrote them!   So tell me, how have life changes like fatherhood – and now grandfatherhood – altered your writing. if at all?  Have they changed your perspective of how you approach your projects, and what you want to write about?

Oh yes!  My grandchildren provide much of the inspiration for my books. Their names are proudly displayed on the dedication page of a dozen or so of my latest titles.  It is from their young perspectives of the world that I learn to re-see my own.  Their joy, innocence, enthusiasm, and curiosity are contagious and endless.  How could I not find new, inspiring things to write about each day?

One last question I have to ask: how has writing – and publishing – for children changed since you began? OK, make that two questions. What advice would you offer to those poor unpublished souls who continue to write and write, with nothing to show for it but folders upon folders of revised manuscripts and rejection slips?

These are exciting and scary times for writers of all stripes.  The business model is changing fast.  Only those with crystal balls dare predict the future. I think it is probably more difficult to get published these days without an agent.  Self-publishing is an option, though one I do not recommend unless you work hard to build what is known in the business as a “platform.”  I’ve been reading a lot lately about how important it is for writers to build a “platform” to make it in today’s market.  I think that means spending time developing social media with websites, blogs, videos, and other items and outlets, along with a good email list.

I probably wouldn’t make it if I were starting out right now. I do not have an agent and I tend to spend most of my time writing, very little time on social media.  I have a Facebook page because I like to keep up with pictures of my grandchildren, and I have a couple of blogs where I post poems for teachers and kids each week. That’s about it.

All I know is, when I started out in this business years ago, I discovered right away that I had to be as creative in getting my work published as I tried to be in creating it.  I think that’s the trick.  First try to find out how everyone else is doing it, then create your own new way of doing it.  I guess that’s true for creating the work itself, as well as trying to get it published.  The most important thing, of course, is following your heart, doing what you love enough to totally immerse yourself in that pursuit.

I’m one of the lucky ones.  I get up every morning, climb the steps here to my treehouse, turn on my computer, look out the window, and write.  I still can’t believe I’m allowed to do this.  I provide for my family and myself by doing what I love.

And that’s something one can certainly not put a price on.  I appreciate your time, Charles…many thanks so much, and best wishes with your new books from Capstone, your YA novels, and all of your upcoming projects!

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Don’t forget, Irene Latham’ 2013 Progressive Poem wraps up this week!  This poem started with one blogger April 1 and has been travelling from blog to blog, with a different blogger adding a new line to the poem every day. (By the end of the month, we’ll have a completed poem!)  Yours Truly added his line back on April 3, but here’s a complete list of all the participating bloggers, so you can follow along:

April 1  Amy Ludwig VanDerwater 2  Joy Acey 3  Matt Forrest Esenwine 4  Jone MacCulloch 5  Doraine Bennett 6  Gayle Krause 7  Janet Fagal 8  Julie Larios 9  Carrie Finison 10  Linda Baie 11  Margaret Simon 12  Linda Kulp 13  Catherine Johnson 14  Heidi Mordhorst 15  Mary Lee Hahn 16  Liz Steinglass 17  Renee LaTulippe 18  Penny Klostermann 19  Irene Latham 20  Buffy Silverman 21  Tabatha Yeatts 22  Laura Shovan 23  Joanna Marple 24  Katya Czaja 25  Diane Mayr 26  Robyn Hood Black 27  Ruth Hersey 28  Laura Purdie Salas 29  Denise Mortensen 30  April Halprin Wayland

Poetry Friday: “Crocus”

I’m guessing this will be the last poem I feature from my winter-themed collection of children’s poetry; with April (National Poetry Month!) just around the corner, winter is definitely behind us.

I wrote this last year, specifically because I wanted a poem that would serve as an appropriate end to my manuscript.  Aside from the fact that the collection is all about winter, I organized the poems chronologically, starting with one about trees losing their leaves, moving on to the holidays, through January and February, and finally concluding with the promise of spring. I thought a crocus would be the perfect image for the two competing seasons, considering it often grows through snow…so I hope you like it!

Mary Lee and Franki at A Year of Reading are today’s Poetry Friday hostesses – so pop on over and see what else is happening in the kidlitosphere!

“Crocus”

When winter’s winds are on the wane
And sunshine warms young April days,
When snow gives way to slushy rain
The crocus springs anew.

While crouching ‘neath the frosty crust,
On tender bended stem it prays
To fend off one more crushing gust
And melt the frozen dew.

- © 2013 Matt Forrest Esenwine

By the way, speaking of National Poetry Month, I’ll be participating in Irene Latham’s 2013 ‘Progressive Poem’ at Live Your Poem.  No, it has nothing to do with politics – it’s a poem that will start with one blogger on April 1 (Amy Ludwig VanDerwater) and travel from blog to blog each day, with each blogger adding a new line to the poem. By the end of the month, we’ll have a completed poem!  (I’ll be adding the third line to the poem on April 3 – so please check back, and follow along with all the bloggers!)

I’ll also be featuring poetry in all of my April blog posts (each Tue. and Fri.), so I hope you’ll join me.  Remember, if you subscribe to this blog you’ll always be notified when a new post has made made!

Little books = Big impact

When was the last time you thought about the books you read as a child?

Were the kids tiny or were the animals huge? It didn’t matter. To me, the pictures were cool – and that’s all that mattered!

It occurred to me the other day just how big a role picture books and other books for children play in developing not just reading ability and comprehension, but developing personality.  Of course, it’s not breaking news that children who read develop language and communication skills, bigger vocabularies, and better attention spans and memory retention. But I’m talking about how those books shape who we are today.

I’ve previously talked a little bit about the impact our experiences as children have on our adult lives.  In one of my very first posts, I wrote about how my love of old-time radio drama lead me into the world of radio and voiceovers, and asked readers to think about that one ‘defining moment’ they may have had as a child that is probably responsible for where they are today.

This time around, I’d like to ask you to think about your most memorable children’s books. Not necessarily your favourite books – although you certainly can – but those books you remember reading as a child that, for some reason, you still remember today. And I’ll bet that if you look at them as a collective, you’ll see yourself in a new light.

(Imagination + compassion + attention to detail) ÷ sense of humour = Matt

Looking back at the books I remember most fondly, I can definitely see why I am the person I am.  One of my favourites when I was very young was Mr. Snitzel’s Cookies, by the wonderful Jane Flory. The story is simple, but teaches a classic message of giving:

Mr. Snitzel, a baker, has only a handful of flour and a couple of raisins left in his otherwise bare cupboard – so he closes his shop for the night, wondering what he’ll do. That evening, a poor beggar comes along and asks if Mr. Snitzel could spare any food. Mr. Snitzel kindly explains the situation and says if he had anything, he’d be more than happy to help. The beggar suggests that Mr. Snitzel look in the cupboard again. To his amazement, there is, indeed, enough food to make something, which he does.

When the beggar asks if he can sleep there, Mr. Snitzel obliges, although he doesn’t have much room. (My memory is foggy, but Mr. Snitzal may actually give up his bed for the beggar) When morning comes, the beggar is gone. Mr. Snitzel goes to his shop and opens his cupboards, expecting barely nothing – and what do you know, they’re full of flour and raisins and candy and all the things that a good baker needs to make wonderful treats and be happy!

A familiar tale, told in a different way, with a golden message.

As for the bizarre iamgination…

Look no further than this absolutely mind-blowing book written by Johnny Gruelle, the creator of Raggedy Ann & Andy. The Magical Land of Noom is part Wizard of Oz, part Alice in Wonderland, part magic mushroom ride. A large hardcover, this was a hefty book, filled with beautiful yet eerie illustrations of horses dressed like grandmothers, odd toadstool-like trees, and Mad Hatter-ish characters.

It was both intensely intriguing yet also freakishly unsettling – almost scary – in a way. Not scary as in Please-stop-the-nightmares scary, but scary in an Aliens-just-landed-and-although-I-should-run-I-just-have-to-see-what they’re-going-to-do-next! sort of way.

As for the story, I don’t recall. But I’ll never be able to get the picture of that grandma horse out of my head.

Speaking of imagination…

What better way to spark a young child’s imagination than with fantastic, strange, and ominous creatures that actually EXISTED here on earth, millions of years ago? Dinosaurs: A Little Golden Book by Jane Watson was another one of my favourite books.

I would stare at the pages over and over again, paying close attention to the colourful scales of brachiosaur, the armor of ankylosaurus, and long, sharp teeth and claws of Tyrannosaurus Rex. I probably learned how to pronounce – and spell - words like archaeopteryx and pteradactyl long before I learned the names of other animals that are actually still in existence.

I’ll tell you something else: I can’t guarantee that all these dinosaur names are correctly spelled because I didn’t bother looking them up – but I’ll bet you good money I got ‘em all right.  Tell me picture books don’t help develop attention to detail.

Who doesn’t love Snoopy?

My folks, who gave me all of the books I’ve spotlighted here, knew I liked Peanuts. I still have the Snoopy coffee mug they gave me nearly 40 years ago, and both of my daughters (nearly 18 and 21) AND my 3-year-old son have all used my original red-and-white Charlie Brown knitted winter hat. Yes, it’s at least 40 years old. No, it doesn’t look like it. They made things to last, back in the good ol’ days.

Whoops, sorry.  Started to sound like a grumpy old man there. I guess it’s my genes.

Anyway…this was a collection of comic strips put together in picture-book format, so it didn’t look or feel like a collection of strips. I just loved reading about Snoopy pretending to battle the Red Baron, crash landing across enemy lines and making his way back through barbed wire, stopping at a little French cottage for some vichyssoise (potato soup) with a pretty maiden, then becoming emotionally torn when he has to say goodbye…

It’s classic Snoopy. Fun stuff, and something I can definitely point to as helping to shape my appreciation for humour.

That, and the fact that my dad and I would watch Monty Python, The Goodies, and Fawlty Towers for hours on end. I’m thinking that had something to do with it, as well…but that’s another post.

What about you?

Can you think of those childhood books you loved so much? Or even the ones that might not have been favourites…but which for some reason stick in your memory? Make a list of four or five books, and spend some time looking them over and thinking about what impact they may have had on you. These books I’ve mentioned were not the only ones I loved or remember – I enjoyed Dr. Seuss and Maurice Sendak and others – but these are the ones that immediately come to mind as having shaped who I am today.

These are the books that spurred me to start reading the Hardy Boys mysteries, Isaac Asimov’s Foundation series, and all the other books I fell in love with through high school and college. I see now that I am a product of not just my genetics and my environment, but of my experiences reading.

How about you? Want to learn more about your literary geneology? All it takes is a little trip down memory lane to that library in your head!

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QUESTION: My first book of children’s poems contained this poem: “Little green inchworm, inchworm, inch./ You don’t bite and you don’t pinch./ Never did anybody any harm./ So take your little green walk up my arm.” Does anyone have ANY idea what this book was, who wrote it, or who published it? I used to love it – and it obviously set me on my current poetry path – but I can’t find it anywhere!  >sigh<

Poetry Friday: “The Search”

For today, I thought I’d stick with the more serious tone I had taken with last week’s poem…although this is definitely a little livelier!  Much of my children’s poetry is humourous, but I’ve been working on a collection of poems that deal with inspiration, dreams, and encouragement – and this just sort of popped out of nowhere and almost
wrote itself. (Yes, I have multiple poetry collection manuscripts I’m writing simultaneously; I figure if one of them gets picked up, at least I’ll have plenty more where that came from!)

Hope you like it. Speaking of ‘more where that came from’…make sure you visit this week’s Poetry Friday hostess, Heidi at My Juicy Little Universe, for the complete, poetic round-up!

“The Search”

I went on a journey
Of faraway places;
Travelled new roads,
Discovered new faces,
Saw the Great Pyramid,
Walked the Great Wall,
Spoke in strange tongues
I barely recall,
Sheltered in catacombs
Rarely explored,
Rode a king’s horses,
Laid down his sword,
Sailed around islands
In tropical climes,
Caught up with pirates,
Paid for their crimes,
Crawled with the sidewinders,
Swam with the rays,
Ran with a cheetah,
Sang with the jays,
Danced with the dolphins,
Scaled rocks with a ram,
Slept with a lion,
Lay with a lamb,
And though there are tales
That are yet to be penned
Still, my adventures
Have come to an end
And I have to concede
Where I may have been wrong…
What I thought had been lost,
Was here all along.

- © 2013 Matt Forrest Esenwine

“The Next Big Thing!”

Back at the beginning of the year, I talked about how excited I was to be wrapping up my first 5 months of this blog.  Then just a couple of weeks ago, I told you about the Liebster Award that had been passed along to me. Now, I’m excited to be part of something new:

Many thanks to my friend, children’s author and poet Joyce Ray, for inviting me to participate in the online literary blog called THE NEXT BIG THING!

If you’ve not heard of THE NEXT BIG THING, it’s a sort of “chain blog” consisting of a series of questions about works-in-progress and not-yet-published titles. Many national and international writers have participated in it; Joyce did last week, and now it’s my turn!

The nice thing about THE NEXT BIG THING is that it not only provides some extra visibility for the bloggers taking part, but more importantly, it gives readers a glimpse into the working life of a writer. Part of the fun is tagging someone else, so stay tuned to learn who I’ll be tagging at the end of this post!  Some of these questions require some deep thought, so I’ll do my best to answer them…

What is the working title of your book?

“Anticipation: Poems for a Winter’s Night”

Where did the idea come from for the book?

As someone who writes a lot of children’s poetry, one day I noticed I had written 5 or 6 poems about winter…so it occurred to me they should probably be organized into their own collection.  This was in May 2012.  So I decided to try to get the manuscript completed (written, edited, revised, finalized) by September. As it turned out, I was done by Oct. – so I wasn’t too far off!

What genre does your book fall under?

Children’s poetry.

Which actors would you choose to play your characters in a movie rendition?

Ha! Not sure this question fits, since the book is comprised of 23 poems…but since many are written in first-person, I’d say we could get Sofia Vergara to portray the school bus driver, Adriana Lima to portray the teacher, and Miranda Lambert to portray the person I ask to keep me warm outside.  Of course, this is all assuming my wife won’t mind…so I’m really going out on a limb here.

But hey, it’s Hollywood!

What is a one-sentence synopsis of your book?

“A funny, touching, and magical look at the coldest – yet warmest – season of all.”

Y’know, I just thought that up this minute. I kinda like it!

How long did it take you to write the first draft of your manuscript?

Hard to say, as I edit poems as I go along; I revisit them, revise them, place them in the manuscript, rearrange them in the manuscript, edit them again, rearrange them again, blah, blah.  The first draft was probably done by late September, then it was just a matter of tweaking a few things here and there.

What other books would you compare this story to within your genre?

It’s very difficult – if not extremely egotistical – for me to compare a manuscript by an unpublished author to books written by some of the best children’s poets in America. So I do this hesitantly and with a great amount humility…but as it’s a winter-themed poetry collection, I’d say it’s similar in tone to Jack Prelutsky’s It’s Snowing! It’s Snowing (2006, Greenwillow) and Douglas Florian’s Winter Eyes (1999, Greenwillow), although the number of silly or funny poems in mine outnumbers theirs.

Who or what inspired you to write this book?

I wish I knew! I always tell people how much I hate winter – the shovelling, the snow-blowing, the slickness of roads, the ice on your driveway, the cold temperatures, etc., etc. – and yet, it was not a difficult manuscript to put together. I’ve already come up with another two or three winter poems since I finished it, and I haven’t even been trying!  Perhaps I like winter more than I realized. I absolutely love Christmas, so that might have something to do with it.

What else about your book might pique a reader’s interest?

I think the diversity of poems. Not only is there a good balance of funny-to-quiet poems, but I used a number of various forms: there’s a villanelle, cinquain, triolet, haiku, tanka, and a couple others, in addition to more conventional forms. One minute you’re laughing about my Valentine’s Day dilemma with Beulah Buford, and the next, you’re sitting quietly by yourself in a school bus on a winter morning, scratching at the frosty window.  I really like the fact that each poem sort of has its own ‘feel.’

When and how will it be published?

Funny, I ask m yself that same question all…the…time.  Being an as-yet-unpublished author (other than having various adult poems published in independent journals over the years), it’s been an uphill climb trying to get my other manuscripts accepted. I’ve only sent this manuscript to one editor so far, who I want to give first-refusal. If she decides to pass, then I’ll let all the other publishing houses and literary agencies fight over the rights and I’ll eventually sign a six-book deal and movie rights with the highest bidder.  At least, that’s how I imagine things will happen.

WHO’S NEXT?

It is my honor to tag and introduce to you Catherine Johnson, who is also currently working on a manuscript…

Catherine is a British ex-pat living in Canada with her family. She writes picture books and poetry and has several poems published, and was a British champion twice in Tae Kwon-Do.  (How cool is that??)  She blogs at http://catherinemjohnson.wordpress.com…so be sure to stop by, and learn about her “NEXT BIG THING!”

Interview with children’s poet/artist Douglas Florian

Last year, I had the pleasure of interviewing children’s poet and anthologist Lee Bennett Hopkins and U.S. Children’s Poet Laureate J. Patrick Lewis for Poetry Advocates for Children and Young Adults (PACYA).  I’m thrilled to say this year is getting off to a great start, as I just completed my latest interview – with artist and children’s poet/illustrator Douglas Florian!

Florian has written and/or illustrated dozens of books for children and is also an accomplished artist whose works have been exhibited in over 30 solo and group shows.  He has a great sense of humour but takes his work seriously….I invite you to check it out!

Why does he consider himself an ‘authorstrator?’  Why is ‘closing your mouth’ such a good idea?  What does he try never to sit on??  Find the answers to these riveting questions and much more in my complete interview with Douglas Florian HERE…and be sure to search around PACYA’s blog for more interviews, info, and insight!

Poetry Friday: First of the year!

Welcome to Poetry Friday!

I’m very excited to be hosting the festivities today.  Not only is this the first Poetry Friday roundup of 2013, but it’s also the first time I’ve ever hosted Poetry Friday.

(I only started this blog 5 months ago – so I hope I don’t screw things up!)

If you have something you’d like to share, just leave your link(s) in the Comments section below, and I’ll update the blog throughout the day.

For my part, I’m sharing my newest poem, which I wrote four nights ago.  As I mentioned in Tuesday’s post, I’m currently working on a follow-up to my winter-themed children’s poetry collection – an autumn-themed poetry collection – and this, I think, will most likely be the first poem of that book.  Seems to make sense, considering the subject!  Hope you like it…and be sure to check out all the other fantastic poetry at the links below…

First Day in the Cafeteria

They could have served us burgers.
They could have served us fries.
They could have served us mac ‘n cheese
or deep-fried chicken thighs.

They could have served cold pizza
or greasy beef pot pies,
so why oh why – our first day back -
do we get “Chef’s Surprise??”

- © 2013 Matt Forrest Esenwine

For more poetic ways to kick off your New Year, please visit these fine folks:

• If you’d like like to get the year kicked off in good shape, David L. Harrison suggests you read Jane Heitman’s poem, “Counting Down the Hours.”
• Catherine Johnson shares two original Month of Poetry poems.
• For the new year, Steve Patterson offers a poem about a little turtle, huge determination, and a new life.
• I’d like to welcome Lesley Fletcher to Poetry Friday!  Lesley is sharing a poem written at a car dealership, titled “The Flame.”
• Another new visitor to Poetry Friday is San Lin Tun, who wishes everyone a “Happy New Year.”
• Charles Ghigna shares his “New Year’s Resolutions” at The FATHER GOOSE Blog.
• Laura Purdie Salas has a roundup of the CYBILS Finalists in the Poetry Category.
• Gabrielle Pendergast also spotlights the CYBILS Poetry Finalists, and provides info on VerseDay, a year long blog fest celebrating all things verse! All the info is at her blog, Angelhorn.
• Speaking of the CYBILS, Irene Latham is giving away some CYBILS poetry book packs!
• Violet Nesdoly’s poem for this week is a tongue-in-cheek look at her own “Fiscal Crisis.”
• At A Teaching Life, Tara has a very fitting poem about “Burning the Old Year” by Naomi Shihab Nye.
• Jeff Barger has written a haiku titled “Killing Me With Kindness” at his blog, NC Teacher Stuff.
• At Gathering Books, Myra shares a favourite poem of hers…Derek Walcott’s, “Love after Love.”
• Laura Shovan is posting poem #4 in her poetry postcard/birthday project at Author Amok. This is one for American history buffs. Both the new poem, “Thick Skinned,” and the postcard refer to the Civil War battle between two ironclad ships, the Merrimack and the Monitor.
• Tamera Will Wissinger is also joining us for the first time today!  She just recently began a new online journal called The Writer’s Whimsy, and her contribution is called “Put On Your (Fishing) Poetry Hat.
• At Random Noodling, Diane has a poem by Edward Hirsch, which celebrates Georgia O’Keeffe, “Evening Star.”
• Kurious Kitty finds connections in a poem by David Ferry.
• KK’s Kwotes continues New Year’s celebrations with a song written by Peggy Seeger.
• Margaret continues to work on writing poems to her father’s artwork at Reflections on the Teche.
• They’re at the midpoint in THE POETRY FRIDAY ANTHOLOGY with a “toothless” poem by Amy Ludwig VanDerwater.
• At Growing Wild, Liz Steinglass shares an original poem about a cat named Houdini who likes to escape from Grandma’s visitors.
• They’re celebrating their 7th year of blogging at A Year of Reading with seven days of giveback-giveaway. The book they’re giving away today, to one lucky commenter, is FORGIVE ME, I MEANT TO DO IT.
• Karen Edmiston is in this week with T.S. Eliot’s “Journey of the Magi.”
• At Teacher Dance, Linda has a poem tribute for the Cybil’s finalists announced this week.
• Carlie is sharing an original poem on her blog, Twinkling Along, all about adopting an orphaned flower in her hour of catastrophe.
• Tabatha Yeats’ post today is about the Library of Congress’s Lyric Poetry Corridor, plus she shares a poem by Tennyson. (She also posted international HP book covers yesterday!)
• At Read, Write, Howl, Robyn Hood Black has been busy this week:  shes in with a Joyce Sidman poem and a link to her interview with her for Poetry at Play, as well as a link to a post on verse novels, featuring some of our shining PF poets.
• Susan Thomsen is featuring a photographed excerpt of a poem by Gwendolyn Brooks, from New York’s Library Way, at her blog, Chicken Spaghetti.
• At Poetry for Kids Joy, Joy Acey has poem about nonverbal communication this week with “Pinkie Promise.”
• Be sure to visit The Write Sisters for a short poem titled, “Dark Birds.”
• Joyce Ray is sharing a winter haiku at Musings.
• At Supratentorial, Alice is sharing the book poem, “If I Never Forever Endeavor” by Holly Meade.
• Matt Goodfellow shares an original poem, “New Yah Prayer.”
• At Wild Rose Reader, Elaine has a “forgotten” poem that she wrote years ago.  It’s a mask poem titled “Dinosaur Egg.”
• Mother Reader offers another in her series of songs as poetry, “Little Talks.”
• Ralph Fletcher has started blogging, and he joins us this week with a poem from one of his books, “Relatively Speaking: Poems About Family.”
• At On Point, Lorie Ann Grover has an original haiku for the new year, “Celebrate.”
• Carol Wilcox shares a dog poem by Mary Oliver at Carol’s Corner and also provides a link to the Warrior Canine Connection, an organization that raises service dogs for veterans and has a brand new litter of yellow lab puppies.
• At Booktalking, Anastasia is sharing a CYBILS Poetry nominee: “The Year Comes Round: Haiku through the Seasons” by Sid Farrar (Author) and Ilse Plume (Illustrator).
• Amy has a villanelle titled “I Understand” today at The Poem Farm.
• Haiti Ruth is in with “The End and the Beginning,” by Wisława Szymborska.
• At Writing and Ruminating, Kelly Ramsdell Fineman shares an original sonnet, “Lessons I Wish I Could Share With My Teenage Daughter.”
• And Perogyo brings us a review of the book, “Noisy Poems for a Busy Day” at her blog Perogies and Gyoza!

2012 – Looking back

I’m writing this on New Year’s Eve, to be published on New Year’s Day – so I’m not sure if this is my final post of 2012 or my first post of 2013.  I guess it doesn’t matter, really…the important thing is the fact that I’m still posting at all!

When I started this blog in August, I honestly had no idea if I’d be able to keep it going.  I was a voiceover artist, writer of poetry, unpublished children’s author, and dad; what could I add to the plethora of information out there on the web?  I doubted I had enough to say that enough other people would care to read.  I was determined, however, to try to make a small mark on the world.

I was shocked when I discovered the world was willing to be marked.

Just the stats, ma’am…

Now, before I get too far, let me say that, although this post is about my blog, it’s really about you.  After all, you could be watching TV, reading a book, plotting a scheme to get back at your no-good boss for not giving you that holiday bonus you were expecting…you could be doing a lot of things right now besides reading this blog.  But you are reading it – and because of that, I have something to write about!

You see, the statistician folks at WordPress.com emailed me an annual report for this blog, and as I read through it, certain things jumped out.  One was the fact that this blog received 3000 views over the course of the year – which may not seem like a lot to many of the more experienced bloggers out there, but considering I only started 5 months ago, 3000 is a pretty good number to me.

It was also interesting to learn that the post that received the most views was one of my first: The Stand-Up Comedy Rule That Can Make You a Better Writer, from August 13.  I’m still getting views of that post as recently as a couple of weeks ago.  The second-most-viewed post was on the blog’s busiest day of the year: September 28.  That was the day I shared “The Grossest Poem Ever,”  The irony of this lies in the fact that it was not necessarily one of my best or favourite poems, but one that drew considerable responses.  It was hard keeping up with the comments that day!

Perhaps one of the most surprising, meaningful, and thought-provoking stats was the sheer magnitude of scope the internet allows poor little unknown writers like me.  WordPress.com’s report provides a world map highlighting each country from which my blog received a visitor, and how many visitors there were.  While most views came from the U.S., Canada, and the U.K., I learned my blog was also being visited by folks from countries as diverse as India, Peru, Russia, Spain, Japan, Brazil, New Zealand, Kyrgyzstan, and all three Scandinavian countries (wonder if they were searching for my Pepparkakor recipe?).

People from a total of 63 countries, popping into my little home on the web.

I’m still trying to wrap my head around that.

“Tying together poetry, parenting, and advertising in a neat little package”

That was the goal and theme I set for myself when I began this blog 5 months ago.  I think I’ve covered a lot of ground, too, touching on everything from radio drama and childhood to dog breeding and minimalist art…along with plenty of poetry.

2012 has been a big, busy year for me, too:

- I left fulltime employment in July to work from my home studio and be a stay-at-home dad to my son who just turned 3

- I completed the manuscript for my winter-themed collection of children’s poetry, which is now in the hands of one of the top children’s poetry editors in the country (still waiting to hear what she thinks!)

- Thanks to Steven Withrow and Poetry Advocates for Children and Young Adults (PACYA), I had the opportunity to interview children’s poets Lee Bennett Hopkins and J. Patrick Lewis

- The Young Adult Review Network (YARN) published several of my poems in their online journal

- And my wife and I gained a new member of the family - Rosie our puppy - in addition to finding out we’re expecting!

All this, plus I’m in the process of writing my follow-up book, an autumn-themed collection, in case the winter-themed collection gets picked up.  (What can I say, I’m an optimist.  A very busy, sleepless optimist)

I’m honoured and touched that you have been a part of this.  I hope you’ll continue stopping by and leaving your comments and sharing this blog with others.  There are bigger, fancier, more extensive blogs out there, so believe me when I tell you that I truly appreciate your support and look forward to sharing 2013 with you.  I have some fun, exciting things planned – including hosting Poetry Friday THIS Friday – so stay tuned!

If you’re interested, feel free to click here to see the complete report...and have a safe, prosperous, and VERY HAPPY NEW YEAR!  I wish you all the success and joy you can stand!