Poetry Friday: A Two-Haiku Kind of Day

poetryfridaybutton-fulllI don’t often write haikus, as they are simultaneously the easiest and hardest poems to write.

On the surface, they appear very simple:  3 lines, nothing to it, right? But then once you start, you realize you need natural imagery, human emotion, a twist in the 3rd line…and suddenly you start disliking every word you write down.

The fact is, a haiku is the easiest poem in the world to screw up. Anyone write a bad one; it’s extremely difficult to write a good one.

So…are these any good?

Hard tellin’, not knowin’.  I like them – and have put more time into them than you might think at first blush.  So hopefully you’ll like them, too! The first is my newest poem, something I wrote for the autumn-themed children’s poetry collection I’m writing. The second one is geared to an older reader and was published last year by the online literary journal, YARN (Young Adult Review Network).  I’m sharing it today because…well, because I felt like it!

ID-100196945 (acorns)Acorns

Mother oak
kisses her babies goodbye,
their caps warm and snug.

– © 2013, Matt Forrest Esenwine



Sparrow sweetly sings
melancholy melody;
her mate, on the ground.

– © 2012, Matt Forrest Esenwine

For all of today’s Poetry Friday happenings, please visit Tabatha Yeatts at The Opposite of Indifference!


PoetsGarage-badgeDid you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it!  To keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)  Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter , Facebook, Pinterest, and SoundCloud!

22 thoughts on “Poetry Friday: A Two-Haiku Kind of Day

    1. Thank you, all! Myra, I like ‘Abandonment’ because of the ambiguity – we don’t know why her mate is on the ground (fell? died? left her?), but we understand her sadness just the same. (And BJ, I’ve got a great example of ambiguity I just posted in the Garage!)


  1. I like these Matt, written as a Haiku should be & the imagery is lovely. I’ve not yet been able to write a decent Haiku that I’d be happy to share with the world. But you’ve given me some inspiration to have another bash at it. Cheers – DV


  2. margaretsmn

    My favorite is the acorn one because it is that season. The acorns are falling and the squirrels are gathering. Love the idea of the mother oak letting her children go but making sure they are safe a prepared for the harsh world. So much in so few words.


    1. Thanks, Betsy. I’m surprised how many folks I’ve talked to have said how unique or surprising the image is, the oak-as-mother. I think I’ve thought of trees as mother figures ever since I first read “The Giving Tree!”


  3. Here it is Wednesday evening and I’m just now taking a look at your post from last Friday! I think these haiku are great, Matt– I especially love the first one. It reminds me of one of Australia’s most famous author/illustrators, May Gibbs, who wrote stories about the beloved gumnut babies Snugglepot and Cuddlepie.


      1. Why, certainly, Michelle – I’d be honoured! Thank you for asking. If you’d like, feel free to email me at “Matt (at) MattForrest dot com” and we can discuss the details!


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