Being a creative type, while liberating, has its pitfalls. One of those is self-doubt – and I’ve got it bad.
At least, I think I do.
The problem is, when you’re your own boss, you make the rules. In a normal type of self-employment, that’s to be expected. In my voiceover business, for example, I audition for gigs, I record scripts, I produce commercials, I correspond with clients, and I’m done. Granted, there’s a bit of creativity in there, but usually I’m voicing scripts the way the client wants, not the way I want. That’s fine.
But when it comes to writing…we’re talking a whole different situation.
Being objective in a subjective career
Writing requires you to come up with an idea, debate the merits and pitfalls of said idea, write a story, essay, poem, song, etc. utilizing that idea, and then revise what has been written so many times that you begin to wonder if any of it was ever a very good idea to begin with.
Seriously, I’ve always been my own worst critic and do a pretty decent job of self-directed revisions, but now that I’m on the verge of possibly making a career out of children’s writing, I’m writing much more than I ever did; consequently, I’m much more critical of my writing than I ever have been.
It’s a good thing, don’t get me wrong…but being new to this, I’m still trying to get a feel for where and when I can stop.
“The self-doubt runs strong in this one…”
I write a poem and feel pretty good about it. I go back to it a day later and change a line. Later that same day I change a word.
The next day, I change another word and delete two.
Two days after that, I make another tweak.
By the end of the week, I’m wondering if it’s really done at all, or if I’m just being ridiculously picky and need to send it out. Then I change a word. A year later, all bets are off as to how many changes the poor thing will have to endure.
And that’s just one poem. When it comes to picture books…
The bigger the project, the more uncertainty
“Is the concept original?”
“Is it too wordy?”
“Did I already use that word?”
“Should I use a different word?”
“What’s another word I could use?”
“Is this even sellable?”
And it goes on. You can probably see why writers are a bit of a different breed.
Coming to terms
I remember asking the illustrious Tomie dePaola about self-doubt a few years ago. I told him that most of the time, I write a poem or story that I like, that gets edited and revised to the point where I’m pretty happy with it. But every so often, I’ll write something that truly amazes me, that surprises me, that makes me question how I even managed to write such a thing.
“This is incredible,” I’d think to myself. “I don’t know how I did it…but this is really, really good. It’s so good, I can’t imagine I’ll ever be able to write anything as good as this! This thing right here is probably the last really good thing I’ll ever write…oh, no!”
Then I’d come up with something new within a week or two.
So I asked Tomie if he ever felt this way, if he ever had strong self-doubt…and if so, what he did about it. His response?
“First of all, you need to have a drink!” he said.
He agreed, though, that we all tend to view our creations like concerned parents – a “what-if-our-baby-isn’t-ready-for-the-world” sort of mentality – and that it’s natural. But once you’ve been doing it for as long as Tomie has, you become a little more comfortable with your decisions.
It’s all about experience – as is the case in any industry – and having only been in this industry five years or so, I’m still learning. I suppose that once I have (or rather, IF I have) a half-dozen books under my belt, the self-doubt will fade and I’ll start to feel a little more confident in my ability to know what’s going to work and what’s not.
At least, I hope that’s true.
I think I need a drink.