Poetry Friday: “The Situation”

What was happening in 1984? “Ghostbusters” was the top-grossing film, Prince released his groundbreaking album, “Purple Rain”…The Soviet Union withdrew from the Olympics in the United States…and Yours Truly was dancing on the ceiling…

Two reminders before we hop in the ol’ time machine and fly back to the ’80’s…

Antarctica coverFirst, you still have a few days left to enter to win a brand new, signed children’s book! Just check out my interview with Irene Latham and my review of her new book, When the Sun Shines on Antarctica: And Other Poems from the Frozen Continent (Millbrook Press), and leave a comment as your entry! You can also share the blog post on Twitter for an additional entry – but it all wraps up on Feb, 29. I’ll announce a winner, to be drawn at random, next week, so don’t wait!

Also, Laura Shovan’s February poetry prompt series, the 2016 Found Object Poem Project, continues all month long at her blog. You can view all the photos and the poems inspired by them – and you can also log on to Michael Ratcliffe’s blog for today’s prompt and poems.

poetryfridaybutton-fulllNow then…onward and upward!

…and backward…

I’m dusting off an old poem today – and by ‘dusting off’ I mean actually dusting off. And disinfecting, too. With gloves.

You see, I was talking to a fellow writer last week who asked me what my first published piece was, and I told him it was a free verse poem I wrote back when I was either a junior or senior in high school. I remembered what it was about and its general structure, but not much else; it got me wondering how it would hold up now, if I’d written it today.

So I started digging through my archives – and somehow found it! It was published in 1984 in a local college’s literary magazine called The Henniker Review. Published by New England College in Henniker, New Hampshire, The Henniker Review began in 1979 and, to the best of my knowledge, is still being published today – and I’m grateful I made it into at least one edition!

How does it hold up? Meh…not sure. If I was writing the poem now, it would most certainly be different – it feels very amateurish to me, but I suppose that should be expected from 30 years of hindsight. Don’t get me wrong; I still like it, because it’s one of those high points in my life I can look back on and recognize as a motivating factor in my pursuit of publishing. But it’s definitely a younger, less-experienced me who wrote it:

The Situation (poem from Henniker Review)
(Click to enlarge)

– © 1984, The Henniker Review (New England College), all rights reserved

Note the yellowing of the page…the mold-induced smudges…the overwhelming mustiness…

Well, you may not be able to smell the mustiness from where you are, but trust me – it’s there. Hope you enjoyed this little excursion back to the ’80’s, and I hope you’ll swing by Elizabeth Steinglass’ blog for today’s Poetry Friday roundup!

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Poetry Friday: “January Thaw”

poetryfridaybutton-fulllBefore I get to today’s poem, I want to remind you that if you hadn’t had a chance to check out my interview with Irene Latham this past Tuesday – and my review of her new book, When the Sun Shines on Antarctica: And Other Poems from the Frozen Continent (Millbrook Press) – make sure you CLICK HERE to read it and enter to win your very own signed copy of the book!

So here we are, almost 3 weeks past January, and I just remembered I’d wanted to share this…but better late than never, right? I wrote this a few years ago, when the typical New England “January Thaw” lasted a few days – usually around the latter half of the month.  This year, the January Thaw was the entire month of January!

January Thaw

It happens every year.
Long before the robins sing,
when sky is bright and clear
one can catch a glimpse of spring.

Grass peeks through melting snow
as the air begins to warm.
We smile – and yet we know
pretty soon, another storm!

– © 2012, Matt Forrest Esenwine, all rights reserved

But wait – there’s still plenty more poetry around! You can visit Laura Shovan’s blog for the latest in her February prompt series, the Found Object Poem Project – see the projects, see what folks are writing, and then join in yourself!

And of course, be sure to stop by Donna Smith’s Mainely Write for the complete Poetry Friday roundup!

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Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
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To keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)Cybils-Logo-2015-Web-Sm
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Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Book Review: “When the Sun Shines on Antarctica”

Antarctica coverIrene Latham has done it again. A couple years ago, she was hanging out at a watering hole on the African savanna (and that’s not a metaphor – by “watering hole,” I mean a real watering hole) and this year she’s at the bottom of the world, on the largest continent – and largest desert – on the planet.

Irene follows up her 2014 children’s poetry collection, Dear Wandering Wildebeest: And Other Poems from the Water Hole (Millbrook Press) with the equally entertaining and insightful When the Sun Shines on Antarctica: And Other Poems from the Frozen Continent (Millbrook Press).

In fifteen poems, Irene not only teaches readers a little bit about the wildlife and habitat of Antarctica, she imbues each of her subjects with a bit of magic here and a touch of tenderness there, so that each poem helps bring the reader a little closer to the truth. The book opens with the dawn of summer and concludes with the start of winter as the sun sets.

When the Sun Shines on Antarctica

Icebergs brighten
as the sky peels

itself of darkness
and stretches awake.

Glaciers murmur.
Penguins reunite

and seals rouse
from slumber

Whales breach
and blow;

waves rush
and slush

against shifting
ice shelves.

Welcome,
Summer.

We’ve been waiting
for you.

– © 2016 Irene Latham (Millbrook Press), all rights reserved

The poems are primarily free verse, so Irene makes great use of internal rhyme and enjambment to create touching scenes that are sometimes quiet, and other times full of energy.

One of the nice things about this book – and Wildebeest, as well – is that although there is plenty to learn via Irene’s poems, they never feel didactic; they are poetry for poetry’s sake, first and foremost. Sidebars on each page provide more information about each subject (from seals to krill to brinicles!), and the earthy blues and greens of Anna Wadham’s illustrations complement the icy, watery nature of Irene’s scenery – all adding up to a beautiful book to read as well as simply admire.

I had a chance to chat with Irene about the book, her life of writing, and what she has coming up in the near future!

Irene headSo tell us, how did a social work major from the University of Alabama end up with 5 books of poetry, 2 middle grade novels, and another poetry collection due out next month?

I took the scenic route, that’s for sure! While I didn’t attend a single writing class in college, all those courses on developmental psychology and family dynamics have certainly enriched my writing life.

Without any training, how did you end up learning your craft? And what was your first published piece? What do you think of it today – still good, not bad, or would you totally revise it?

I started honing my craft by entering contests sponsored by Alabama State Poetry Society. At first I didn’t place at all, then I started getting Honorable Mentions, and eventually prize money! My big break came when I won a chapbook contest — no cash, but publication and 100 copies of my chapbook NOW PLAYING (poems that used classic movie titles, but were often about something else entirely).

I kind of cringe when I read those poems now — as I’ve continued to grow and develop as a poet I can now see all sorts of flaws! But it was my best work at the time, and an essential, precious part of my journey. Those poems are exactly what they needed to be — and one or two of them I do still like. 🙂

How do you move between the children’s poetry thought process and an adult’s? Do you work exclusively on one or the other, or do you bounce back and forth, depending on your mood and inspiration?

My initial efforts are most often from my adult self. I was writing a poem last week about pears, and the image that came immediately to mind was Sylvia Plath’s “little Buddhas.” I love that! But of course a kid probably wouldn’t get that. I so admire those children’s poets among us who seem to so easily and naturally find those child-like comparisons. It’s a challenge for me. I am constantly having to coax my inner 8 year old out to play. She’s shy, but one thing I’m good at is persistence.

WildebeestTwo years ago, you were at an African watering hole; this year, you’re in Antarctica! How do you come up with the ideas for your collections, and how long does it usually take you to complete a manuscript?

I have an abundance of obsessions, so coming up with themes/ideas for collections is not my problem. Usually they arise when I read books or go to museums or attend local community events where a speaker might mention something, and I investigate further, and next thing I know, I’m neck-deep!

As for the second part of your question, “complete” is a very slippery word, isn’t it? I could keep tinkering with poems forever and more than once have had a great idea for a way to improve a manuscript after the book is already in print. It’s one of the things that attracts me to writing in the first place – the endless learning curve.

I can churn out a bunch of first-draft poems that will be the skeleton of a poetry book manuscript within a few weeks – I strive for a poem a day. But then it can take years for the individual poems to grow and develop and for me to figure out the point of it all. I’m constantly asking of the manuscript: what is your purpose? what are you trying to say to the world? what else?

Next month, you have ANOTHER collection for children, Fresh and Delicious! Tell us about that! How did it come about?

Fresh Delicious coverFRESH DELICIOUS: Poems from the Farmers’ Market (Wordsong) is my first attempt at poems for a younger (K-2) audience. It started with a contest through my SCBWI region (Southern Breeze, which includes AL, GA, and the FL panhandle). Each June, for free, we can submit some pages for a contest that’s judged by editors. All entries receive a feedback sheet. I wanted to enter the contest, and I had just been to the farmers’ market. Voila! Poems from the farmers’ market!

I was so excited about the poems that I did NOT enter the contest – results aren’t announced until October – and sent them straight to my agent instead. She sent them to Rebecca Davis at WordSong, who had read (and rejected) at least three, perhaps four prior manuscripts (including Dear Wandering Wildebeest). She liked the poems, saw lots of promise, but didn’t feel they were quite ready. Instead, she gave me some brilliant feedback (seriously. BRILLIANT), and off I went, revising away! A couple of revisions later, she presented it at the editorial meeting and we got a green light on the project. O frabjous day!

I am always trying to explain to people that children’s poetry does not need to rhyme! (In fact, I’m hosting a workshop at an upcoming SCBWI conference about free verse) Why do you suppose you are drawn more towards free verse than rhyming poetry?

I am so happy you are teaching people that children’s poetry need not rhyme! Confession: for many years I thought all children’s poetry was Shel Silverstein! I really didn’t know there was a market for the kind of poems I write, which are by and large free verse, until I attended a poetry retreat with Rebecca Kai Dotlich in 2011 (organized by the one and only Robyn Hood Black! I’m so so grateful!). That weekend was a turning point in my writing life.

Afterwards I went on a nearly sleepless writing jag for a week as I discovered I could write the way I write for adults – but for kids. I have a gypsy heart, and being hemmed in by form or rhyme makes me irritable and unhappy. Plus I love beautiful words and lyricism, and for me, writing is a spiritual practice. It’s a way for me to love the world. I am able to achieve all of those things with free verse.

By the way, I’d be remiss if I didn’t congratulate you on TWO OTHER manuscripts you just sold, Pop! Bam! Boom! and It’s Not Black and White. What are they about?

Thank you! Pop! Bam! Boom! started with Langston Hughes’ poem “Harlem.” http://www.poetryfoundation.org/poem/175884 I got to thinking about all the things that explode – seed pods and symphonies and dreams – and I started writing. It’s Not Black & White is a special project based on real-life experiences that I co-wrote with Charles Waters. Told in two voices, it’s about friendship, race, and understanding as it happens in a 5th grade classroom when a black boy and a white girl are forced to be partners on a writing project.

Final question! I have to ask…do you ever get a chance to chat with Father Goose -Charles Ghigna – who’s just south of you in Homewood, AL? And what’s the best advice you ever received – from anyone?

Chuck and I do, in fact, chat from time to time! He’s famous around these parts (more than a hundred books to his credit now!), and he’s been a lovely supporter of my work.

As for advice: When my first book of poems came out (2007), my husband gave me a small plaque that reads, “Live Your Poem.” That’s where my blog name comes from! For years I have shared in presentations that writers have a responsibility to “live a life worth writing about.”

But it’s more that that: we need to be present, open, and delight in our lives – really LIVE. That’s poetry! I also love how those words can mean whatever they need to mean to an individual – your poem-life will be different from mine. And every single incarnation is beautiful.

I think that concept is what draws most of us to poetry, Irene…so thank you for taking the time to chat!

Thank you, Matt, for having me, and for your great questions. I’m excited for YOUR forthcoming books. Yay!

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To my readers, I’m so glad YOU took the time to read today’s post, I’m going to give you an opportunity to win an autographed copy of Antarctica! Just leave a comment below, and I’ll draw a winner at the end of the month…so please let your friends know, so they can get in on it, as well. (and if you share this post via Twitter (using the Twitter button below), you’ll get an ADDITIONAL entry!)

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Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
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To keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)Cybils-Logo-2015-Web-Sm
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Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Poetry Friday: “The Old Woman in the Yard”

poetryfridaybutton-fulllBefore we get into today’s poem, I need to repeat the news, in case you missed it: the incredibly talented Fred Koehler has signed on to illustrate my debut picture book, Flashlight Night (Boyd’s Mills Press), which is due out in Fall 2017!

This is a “first” of sorts for both of us – and if you read my post from this past Tuesday, you can find out why!

Now then…onto today’s poetry! Laura Shovan’s February poetry prompt series, the “Found Poem Project,” is in full swing (I hosted the project last Friday!), and today I have another poem to share that was inspired by one of her ‘found’ objects.

I don’t normally share poems that haven’t had time to sit and marinate for a while and be revised – this poem only took me about 45 minutes to conceive, write, and edit slightly – but I thought posting a rough draft of a poem for a change might not be a bad thing:

The Old Woman in the Yard

We’d walked this way for years.
Each time, we’d see her there
in burlap dress and bonnet,
hands clenched, as if in prayer.
Her back was always turned,
head bowed in silent thought;
we wondered (rather, worried)
should we bother her, or not?
So every time we passed,
we never said a word,
we never slowed our pace;
the woman never stirred.
And then one day we came upon
an empty, hollow space…
we’d never known her name.
We never saw her face.

– © 2016, Matt Forrest Esenwine, all rights reserved

If you’d like to see the photo of the unusual object that spurred me to write this, along with all the other poems that Laura’s readers have contributed, please visit her blog today! And for all of today’s Poetry Friday links, head on over to Kimberly Moran’s blog, Written Reflections.

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Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
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To keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)Cybils-Logo-2015-Web-Sm
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Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Exciting news! And more exciting news!

What’s it like to lead a writer’s conference workshop on writing? I’m about to find out!

nescbwi16_conf logoRegistration for the New England chapter of the Society of Children’s Book Writers & Illustrators (SCBWI) gets underway at noon EST today, and it is one of those things we writers look forward to all year. The third-biggest SCBWI conference – behind the two big ones in New York and LA – is three days of learning, networking, and enjoying life…but this year, I have some extra reasons to look forward to it:

  • I will be taking part in the #AskAMentor program on Friday afternoon, where conference faculty hang out and meet others who are just starting to write or who are looking for advice. It is described as ‘speed dating but without the cheesy pickup lines’…and as far as I know, Yours Truly will be the only person there who writes poetry. So I hope you’ll say hi, if you happen to attend!
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  • I also agreed to co-chair the Open Mic nights Fri. and Sat. evenings with fellow poetry writer Sharon Abra Hanen. This is an opportunity to share your children’s poetry or a manuscript with the crowd. This year, we’re adding a special feature we call “Whose Rhyme is it, Anyway?”- a quick, improvisational game where two writers (or teams) are given random words and subjects and need to create a minimum 2-line children’s poem within the allotted time!
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  • The hands-down MOST exciting part of this weekend for me will be on Sunday, when I host my first workshop for industry professionals, “Free yourself with Free Verse Poetry.” This is for all the poor folks who think children’s poetry needs to rhyme and be perfectly metrical. Attendees will be taught the basics of free verse (use of internal rhyme, enjambment, shape of text, etc.) and will be challenged with some on-the-spot writing exercises. This, I hope, will be a nice complement to Holly Thompson’s and Padma Venkatraman’s verse novel workshop taking place earlier the same day.

From plotting to illustrating to character development to marketing…there’s a workshop for just about everything kidlit-related at this conference. If you do attend, please be sure to find me and say hi! Registration begins at noon today, so don’t wait – workshops get filled up very quickly!

But wait…I said there’s MORE exciting news, didn’t I??

I can now finally (and proudly) announce that illustrator extraordinaire Fred Koehler has signed on to illustrate my debut picture book, Flashlight Night (Boyd’s Mills Press), which is due out in Fall 2017!

REBECCA KAI DOTLICH - One DayFred has illustrated numerous picture books including, most recently, Rebecca Kai Dotlich’s One Day…The End (Boyd’s Mills Press, 2015). His own book, Super Jumbo (Dial Books) comes out exactly one week from today, so be sure to check it out! He also illustrates Shelley Moore Thomas’ book, This Book is Not About Dragons (Boyd’s Mills Press), which is due to be released this September. Like I said, busy guy.

I’m especially thrilled about Fred’s decision to illustrate my book because mine will be his first using traditional media (i.e., pen and ink, pencil, etc.). These days, everything is digital – but Fred wanted to capture a classic sort of feeling with this particular project, and I have to admit I’m honored that he liked it enough to do that!

I’ll be sharing some more details about this book as we get closer to the release date. Until then, I’m continuing to send out other manuscripts in search of a publisher! I think I have 8 or 9 different manuscripts all searching for a home right now…fingers crossed, as they say!

I also have some news about two new anthologies that will be coming out (one next year; the other, the year after that!) but I need to keep quiet for now. Once I can make the news public, you’ll be the first to know!

Or maybe I’ll spill a bean or two at the conference…hope to see you there!

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Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
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To keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)Cybils-Logo-2015-Web-Sm
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Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Poetry Friday: The Found Object Poem Project, Day 5!

Poetry_Friday logoPoet and blogger Laura Shovan is once again inspiring writers with her annual February poetry prompt, and this year she’s using “found objects” – random, unusual, or even everyday items that various friends and fellow bloggers have come across and shared.

You can see all of this week’s objects (and the poems written so far) HERE at her blog, and today, I’m pleased to host Day 5 of the series!

Now, normally I’d share the photo of the object with my poem, along with all the poems that readers have contributed – and please DO contribute, in the comments section! – but I feel a need to do things just slightly differently, for good reason.

This time around, I need to share the poem first…and I’ll explain why after you read it.

Heirloom Moon

On sun-toughened vines
they hang, young
and glowing beneath
dark August sky;
midnight shines
against dewy skin, smooth
and glossy as Brandywines
while flesh swells
with thirst
and yearning.

– © 2016, Matt Forrest Esenwine, all rights reserved

The reason I wanted to share the poem first is because of the ridiculous nature of the photo. Once you see it, you’ll sense a huge disconnect between the object and the poem. Ready?

Here it is:

Tomato-Moon
(click to enlarge)

When I first shared this online, I stated that I’d never been mooned by a vegetable before!

I’m not sure if this tomato was one big one that split into two, or started off as two little baby tomatoes that fused into one – but at a good pound or so in weight, it was one of the strangest-looking tomatoes I’d ever seen.

Two days ago when I started thinking about a poem to write, my mind kept wandering back to a tomato ‘mooning’ me – but I wanted something more serious. Once the title of the poem, “Heirloom Moon,” hit me, the poem wrote itself.

I was concerned that by seeing the photo, then reading the poem, there might be a bit of a disconnect. Switching from a goofy picture to mature free verse – and switching from very different definitions of ‘moon’ – was a challenge!

Now then, without any further ado, allow me to present YOUR poems…all the responses to this photo that are being sent in. And please, if you’d like to contribute, just post your poem in the comments below and I’ll add it here as soon as I can!

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We’ll begin with something from the Haiku Queen, Diane Mayr, who said, “When I gave up the idea of writing a tomato haiku, this one appeared!” Some great imagery here, too – skin stretching, mouths waiting – so enjoy:

Listen to a Tomato

Not even a whisper
accompanies the splitting
of its seed coat when
touched by the warmth
of a sunny April day.

Nor is there a sound
when a seedling snakes
upward shaking off
humus and loam as
its true leaves unfurl.

You won’t hear skin
stretching to its limits
as the fruit imbibes
summer rains, growing
round and pendant.

The only sound you can
hear, is the POP of a ripe
tomato and the EXPLOSION
of juice as it’s delivered
to your waiting mouth.

– © 2016, Diane Mayr

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Next up is a delicious poem from Jessica Bigi…you’ll be ready for dinner with these warm, homey images:

Garden Tomatoes Memories

Salt
Black pepper
Tangy vinaigrette
Drizzling oil
Beefsteak tomatoes
Our garden’s prize
Halves in a bowl
They’re best as
Dad told his story
Mouth-watering
Tomato juice smile
Italian bread baking
In grandmother’s oven
Slices of garden tomatoes
Thick slices of onions
Water my eyes
How the hobos left the Trains
knocking on her door
For homemade bread and
Tomato sandwiches
Dad’s mouth watered he
Loved his with onions
How I long to hear his voice
Whistle his story to me
How I love my dad and a bowl
Of garden tomatoes

– Jessica Bigi

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Margaret Simon says she was attracted not to the tomato but to the quilted cloth beneath, which was reminiscent of her grandmother’s quilts. This touching poem is proof that inspiration can come from anywhere!

Grandmother’s Quilt

Grandmother
quilted for hours
taking tiny stitches in and out
while gossiping
with the girls.

“Jesse harvested tomatoes today.
The largest we’ve had in years.”

“Whatcha’gonna make, Mary Glo?
Tomato soup or corn maque choux?”

Around that circle of friends,
patches from Granddad’s ties,
a piece of Margaret’s Sunday dress,
stories were told
and sewn into time,
feathered with fingers of love.

Margaret Simon

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Although summer won’t be here for another 5 months, Molly Hogan brightens up our winter with thoughts of sunshine and dirt and summertime smells:

One Plump Tomato

In the midst of winter
one plump tomato
stirs memories of
the sun’s caressing warmth
on berry-brown bare arms
and flush freckle-dusted cheeks
of toes dipping into rich earth
and of the enticing tangled scent
of robust green vines
and sweet spicy basil

In the midst of winter
one plump tomato
sings a silent song
of summer

– Molly Hogan

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Linda Baie is feeling the love – with an early-morning rendezvous:

Early Valentine’s Day

I rose early to go to the garden
for a breakfast harvest,
without the distraction of the kids.
Pants quickly wet from the dew,
I leaned into ripening tomatoes,
inhaling that tangy, piney scent,
the only one they know. Perhaps
it protects their sweeter taste?
They were falling over,
heavy red-ripened jewels.

There, among that rich roundness, this love apple.
The mist had blown off with the sun,
and I returned to the house,
lay my heart upon the bed,
pursed my lips for a kiss.

Linda Baie ©All Rights Reserved

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Laura Shovan herself stopped by to share her contribution – a fun little ode to my tasty monstrosity:
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Big Boy
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Hello, tomato!
You’re the Wonder Twins
of the vegetable garden,
Miracle-Gro… activate!
Hello, tomato!
The slugs came out
last night and slathered you
in lip plumper.
Hello, tomato!
I love you best
cut into chunks
and served with salt.
Goodbye, tomato!
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– © 2016, Laura Shovan
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Carol Varsalona jumped into the fray with the following poem that she titled after my picture!

Tomato Moon

Not two peas in a pod.
Not two beans on a pad
but
two simple valentines
linked
creating
one tomato moon,
filling the spaces of
my February heart-
peacefully co-joined,
artfully sculptured,
waiting for a receiver.

– ©CVarsalona, 2016

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Next, Mary Lee Hahn brings us a short but sweet love poem!

Double Tomato

We budded together and together we bloomed;
it just seemed natural that together we grew.
Together we look…unusual,
but together we’re unified — one outranks two!

– © Mary Lee Hahn, 2016

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Donna Smith is “tasting the rainbow” – and a very delicious-sounding one it is!

One Slice of Rainbow

I’ll take a slice of rainbow, please
The red part
tender, curved, ripe –
So warm, sweet
and bursting
Rain down to my elbows.

– © 2016, Donna JT Smith, all rights reserved
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And finally, Charles Waters brings us back to my initial impression of the “moon” as the subject, as opposed to a tomato. The personification in this is intriguing!

What’s in a Blood Moon?
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When sun and earth are spiritually aligned enough
to get together for a natter, then include the moon
on this get together by complimenting him on his
evening wear, he starts blushing with pride.

– © Charles Waters, 2016

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NEXT UP, DAY 6!

Wondering what’s in store for tomorrow? Here’s the found object poem prompt for Sat., Feb. 6, courtesy of Laura, herself!

Many thanks again to Laura Shovan for the series of prompts this month, and for all of today’s poetry fun and links, please visit Tricia Stohr-Hunt at The Miss Rumphius Effect for the Poetry Friday roundup!

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