Poetry Friday: a dog-gone septercet challenge

poetryfridaybutton-fulllWay back at the beginning of the month, Jane Yolen visited the blog of my friend and fellow poet/blogger Michelle H. Barnes, Today’s Little Ditty to discuss her writing, her inspiration, and a poetic form she created called the septercet.

A septercet is a poem consisting of any number of 3-line stanzas (or tercets, as we call them), each with 7 syllables (hence, the “sept” in septercet). Michelle’s blog readers were challenged to write their own septercets, and they met the challenge head-on…submitting FIFTY different poems in one month!

Now, just because each line is seven syllables doesn’t mean a nice rhythm cannot be achieved. And just because it doesn’t need to rhyme doesn’t mean I was going to let the opportunity for an even harder challenge slip by! Here’s what I came up with:


Give me room to be your friend;
give me space to stretch and run,
a place to sleep, time to mend.

Yes, I owe so much to you.
I am not ungrateful, no –
though I’m tired, and starving, too.

My whole world has been a cage,
cold and cramped. I should not ask
for anything, at my age,

nor should I expect concern,
love, or care – yet, here I am,
a new home, rules, words to learn.

Neither knows how this will end,
but I am loyal. Trust me, please.
Give me time; I’ll be your friend.

– © 2016, Matt Forrest Esenwine, all rights reserved

Aside from the rhyme and rhythm I wanted to create, I tried hard to steer clear of “filler” words, like “the,” “just,” “quite,” and any other words that might be accused of padding the syllable count or aiding the rhythm. Granted, sometimes those words are absolutely necessary – but often, they serve no purpose in moving a narrative forward or developing a scene, which is why it is one of the first pieces of writing advice I share with budding poets. (Haiku, in particular, requires extreme word economy and has no room for any word that does not contribute to the power of the imagery)

In the mood for more poetry? Karen Edmisten is hosting Poetry Friday today! And again, be sure to check out all the septercets at Michelle’s blog HERE.

Mishka, one of our recent foster dogs who found a forever home just two days after she arrived! One of the sweetest, most mellow dogs I’ve ever known.


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First book signing: that’s a wrap!

I’m sure many of my fellow writers who have had numerous books published view book signings as old hat, but it’s something pretty new to me…and I loved it!

Lullabye coverThis past Saturday, I spent two hours at the local Books-A-Million store (the folks who bought up most of the old Borders locations) signing copies of the book, Lullaby & Kisses Sweet (Abrams Appleseed, 2015). We had close to 25 folks stop by, and for a beautiful, hot, summer day, that was a decent turnout.

Lullaby, as you probably know if you’ve spent more than a few minutes on my blog, is the very first children’s book I have the pleasure of being a part of. It’s both a board book – designed for very young children – and it’s also a poetry anthology featuring 30 poems from such luminaries as Jane Yolen, J. Patrick Lewis, Charles Ghigna, David L. Harrison, Marilyn Singer, and many others.

My poem, “First Tooth,” is included in this amazing collection, which was recently selected as an ALSC Notable Children’s Book for Summer 2015. It’s an honor and a privilege to be part of something like this – and it is also a bit reassuring, as writing for children is a career path for me and not a mere hobby. In fact, I’ll have 9 poems in 7 different publications between this year and next, with my debut picture book, Flashlight Night (Boyd’s Mills Press) slated for Fall 2017.

Things seem to be heading in the right direction!

Signing one of the first books of the afternoon, with my manager (kidding!!), author Deb Bruss (“Book! Book! Book!”, “Big Box for Ben”)
The table looked so spiffy and professional, I almost didn’t realize it was for me!
One of the folks who stopped by was fellow former radio dude Mike Morin. Mike hosts a podcast series which can be found at http://manchesterinklink.com/40-is-the-new-happy-a-podcast-series-with-mike-morin/ (Yours Truly will be joining him in a couple weeks!)

I do have to admit I was surprised when I walked into the bookstore; I was going to look for my table toward the back of the store in the children’s section, but they had it all decked out right in front, about 20 feet from the registers. At least 3 staff members purchased copies, which was heartening.

I think one of the most satisfying moments of the event came when I overheard one of the female employees behind the checkout line chatting with a customer who had just purchased a copy. They were talking about the book and “the author” who had just signed it, and the clerk (whom I hadn’t met until that day) said, “He’s a really nice guy.”

Made me smile.

NG Book of Nature Poetry coverThe folks at Books-A-Million are thinking of doing another signing when The National Geographic Book of Nature Poetry (National Geographic Children’s Books, Oct. 13, 2015) hits stores this fall, and I can’t wait. In it, I have a poem about Rainbow Eucalyptus Trees – and if you don’t know what those are, wait til you see the photo!

I will have another poem in an educational book written by Laura Purdie Salas for Capstone, likely due out before the end of the year, and a poem in Kenn Nesbitt’s anthology, One Minute Til Bedtime (Little, Brown for Young Readers, 2016). I already have poems in two other books that are currently out: Dear Tomato (Carol-Ann Hoyte, 2015) and The Poetry Friday Anthology for Celebrations (Pomelo Books, 2015).

Perhaps at some point in my career book signings will get old.

For now, though…bring ’em on!

Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
SCVBWI_Member-badge (5 years)To keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)
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Crayons, scallops, and truth: What I learned at ‪#‎NESCBWI15

NESCBWI15 logoAnother NE-SCBWI (New England Society of Children’s Book Writers & Illustrators) Conference is in the history books, and as always, it was an exciting, fun, information-packed smorgasbord of opportunity!

One of the biggest benefits of the conference is the networking – agents, editors, and fellow writers all converge on this one location and get to meet, chat, and dine with each other, which is worth the price of admission in and of itself. The varied workshops and high-profile speakers are also huge draws, of course. And this year, I had an additional reason to attend: The Marguerite W. Davol Picture Book Critique Scholarship for pre-published authors!

As I explained in a previous post, I was awarded this honor based on a manuscript I submitted last year, and the judges felt it was strong enough to deserve some special recognition, which was very humbling. I’m so proud of that manuscript!

So as you can see, I had plenty of reasons to want to attend; by its very nature, the conference is immensely educational, but I wanted to share a few choice tidbits of wisdom gleaned from the experience. This list is by no means exhaustive, and even what you read here is a fraction of a fraction of what transpired:

 Working on your craft is the only way to succeed. Beekle
And don’t do it for any other reason than because you’re passionate about it! 2015 Caldecott Award Winner Dan Santat was the Saturday morning Keynote Speaker, and his tremendous talent (and dry wit) kept the audience on the edge of their seats. The author/illustrator also revealed a revelation he had a few years ago, while watching the TV Show, “Mad Men:” one does not need to like a character to like a story; one simply needs to understand the character(s).

2) I have a good voice for middle grade. One editor in attendance mentioned this to me following a quick story synopsis I scribbled down during a workshop session. I’ve written poetry, poetry collections, short stories, and picture books…but never anything long enough to require more than one chapter! I’m going to need to think about that.

3) Scallops are expensive. Well, I kind of knew that already anyway, but that fact became abundantly clear to me Friday night, when a small group of us left the conference center and dined at a nearby Mediterranean restaurant. I order a $13 scallop appetizer and received…two scallops. Two. As in, one…and then just one more. Admittedly, they were quite good – but I’m not sure they were 13-dollars-good.

4) Be True. This was actually the title of author Jo Knowles’ Saturday evening Keynote Speech, and a very moving, inspirational speech it was. Jo related her own story of a young, shy girl who wanted to be a writer, lessons coverwho credited the SCBWI as well as (and even more so) one special teacher with helping her achieve success.

Regarding her first YA novel, Lessons from a Dead Girl, she learned that the book just wasn’t ready until it was true. Until her characters, the story line, everything felt true…the manuscript went nowhere. So one of the most important questions a writer should ask themselves is, “Is it true yet?”

5) Understanding Common Core Standards for English Language Arts is not as hard as it seems. My thanks to fellow NE-SCBWI member Michelle Cusolito for an informative workshop geared towards helping authors doing school visits. Learn more by joining her Facebook group!

6) If you don’t take the crayons out of the box…nothing happens. Australian children’s writer, animal expert, musician, and 2010 SCBWI Member of the Year Christopher Cheng was the Sunday morning Keynote Speaker, and shared this nugget. He’s right – if you want to create something, you have to take action!

That doesn’t just mean one needs to write; it means one needs to be aware. In his view, “everything has a purpose” and it is up to the writer to determine what that purpose is and the extent of its usefulness. He didn’t explicitly state that this mentality translates to the concept of “mindfulness”…but as a writer myself, I’d say it certainly does!

Poetry Panel, from left: Heidi EY Stemple. Leslie Bulion, Richard Michelson, Jane Yolen

7) Book marketing just took a new, creative turn for the better. While chatting with author and fellow New Englander Julie True Kingsley, she told me about a new start-up venture she is involved in: BizzieMe.com. If you are an author and want to bring your book into the digital age via interactive games and video, I encourage you to check it out! A reader scans your book cover into their smartphone or tablet, and can immediately start interacting. Very cool stuff.

8a) Reluctant readers aren’t really “reluctant” – they just haven’t been given books that interest them yet. CrossoverThis is something else that didn’t come as a surprise, really, but it was something important of which to take note. Boys and girls share many interests, and it’s important to not try to pigeonhole boys with our preconceptions of what they will like.

During Newbery Award-winning author Kwame Alexander‘s writing workshop – as well as his Saturday lunchtime speech – he reminded those in attendance to take advantage of opportunities that come your way. “Say YES!” was his takeaway message, and his words on authenticity echoed Chris Cheng’s and Jo Knowles’.

8b) What a difference a year makes! Those were the words uttered by poet and artist Richard Michelson while we were chatting during a book signing. Richard and I were admiring the long line that led to Kwame’s table, and Richard remarked that he had been with Kwame at a signing last year and no one knew who he was…but now thanks to The Crossover, he was the hit of the weekend!

Heidi & Me - spread-mates
Heidi EY Stemple and I, with her poem on the left and mine on the right!

9) If you’re going to a conference that fellow writers will also be attending, bring books with you! I couldn’t believe I left copies of Lullaby & Kisses Sweet, The Crossover, and others at home! After I had arrived, my absent-mindedness dawned on me. Heidi Stemple, with whom I share a spread in Lullaby, knows this.

After a poetry panel discussion with her, Jane Yolen (her mom), Leslie Bulion, and Richard Michelson, we chatted and I signed her copy. I’ll probably have to wait until next year’s conference to see her again and have her sign mine!

10) Monsters are a euphemism for disability. I had never considered this before, but author Tim Weed made an excellent point during his workshop on image systems in middle grade an YA fiction. The creature with the hunch, the creature with the strange face, the creature who can’t speak…all find their origins from the same place.

11) Networking is as important as attending the workshops.

Me, Deb, Janet, Craig (NESCBWI)
From left: Craig Munson, Janet Costa Bates, Yours Truly, and Deb Blake Dempsey

This is not something I learned – it’s something I preach! If you have ever considered attending an SCBWI conference, I highly encourage you to do so. I wouldn’t be at this stage of my career had it not been for networking, saying hi, chatting with people, striking up conversations, listening to what fellow attendees are talking about. Yes, I’ve learned a lot from the workshops – but it was one simple, short, casual conversation that started me on the way towards publication.

Will I see you there next year? The dates are already set for 2016: April 29 – May 1. If there’s another SCBWI conference closer to you, by all means, register! And for more info on where to find local SCBWI chapters or critique groups, log on to http://www.SCBWI.org. Hope to see you at one someday!

Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
PoetsGarage-badgeTo keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)  Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Available TODAY! “Lullaby and Kisses Sweet”

I’ve been telling you about this for awhile, and the day has finally arrived…the very first children’s book I was selected to contribute to is on sale today!

Lullabye coverLullaby and Kisses Sweet: Poems to Love with Your Baby is officially out now – in stores and everywhere. This book is unlike most others out there – it is a board book for young children 0-5, yet it is also a poetry anthology comprised of 30 poems by various writers such as Jane Yolen, J. Patrick Lewis, Rebecca Kai Dotlich, Charles Ghigna, X.J. Kennedy, David L. Harrison, Marilyn Singer, Laura Purdie Salas, and many others including…little ol’ me.

It feels weird to say that.

I have to thank the wonderful and inimitable Lee Bennett Hopkins, who came up with the concept and compiled the poems for the book. He even contributes a couple of poems, too. And Alyssa Nassner’s cute baby- and toddler-friendly illustrations are the perfect complement to the text.

So today I wanted to share a couple of things: a short interview with Lee as well as the poem I contribute to the project. Before we get to Lee’s interview, though, congratulations are in order.

logo-scbwiLast week, The Society of Children’s Book Writers and Illustrators (SCBWI) announced they had teamed up with Lee to create the SCBWI Lee Bennett Hopkins Poetry Award which, according to the SCBWI, “recognizes and encourages the publication of an excellent book of poetry or anthology for children and/or young adults” and will be awarded every three years.

(for more information about the award click HERE or click the SCBWI logo)

A lifelong supporter and cheerleader for children’s poetry, Lee has already helped establish two other awards: the annual Lee Bennett Hopkins Poetry Award, presented by Penn State University, and the Lee Bennett Hopkins/International Reading Association Promising Poet Award, presented every three years by the International Reading Association (now the International Literacy Association).

Lee Bennett Hopkins

He’s also received his fair share of awards, including the National Council of Teachers of English (NCTE) Excellence in Poetry for Children in 2009 and the SCBWI’s 1996 Golden Kite Award for his poetry collection, Been to Yesterdays. And with over 120 books under his belt, it was a matter of time before the 2011 Guinness Book of World Records named him “the most prolific anthologist of poetry for children.”

So now without any further ado…let’s get to our interview!

Lee, thank you so much for asking me to contribute a poem to this incredible project. Being a board book anthology makes this book a rather rare sort of species in the world of children’s literature; how did you come up with the concept of creating a poetry collection for very young children?

I have always maintained that poetry should become part of a child’s psyche as soon as they are born – if not before! Lullabies sung by mothers and fathers, kisses sweet given to newborns are as natural as breathing. Why not create a collection for the young that deals with topics they are becoming familiar with – Family, Food, Firsts, Play, Bedtime? A verse such as your “First Tooth” is not only right on for this age group, it is fun, filled with childlike surprise, wonderment.

Well, I’m glad you liked it enough to include it! For my readers, here is my poem from the book, along a sweet little gem from Heidi Stemple:

Reprinted with permission; all rights reserved. (Click to enlarge)


Having already edited so many anthologies before, you are intimately aware of what it takes to put a poetry collection together – but I wonder if there were any unusual steps you needed to take with this particular project? How did the creation of this book differ from others?

LULLABY AND KISSES SWEET began with a definite set of guidelines. Every poem in the collection was especially commissioned by a host of well-known poets as well as introducing new voices, giving many a chance to become published for the first time.  Each verse had to be eight lines or under, had to rhyme and had to have that “I” moment as children awaken to what is going on in their world around them. Realizing what it is to have a grandma take one’s hand, experiencing disappointment as one’s tower of blocks suddenly crash to the floor, a plea for the sound of words as a child asks to be read to again and again.

I have done about 120 collections for all ages. LULLABY… is the first, quite huge board book I’ve ever done.

Tell me about your collaborators – your editor and illustrator.

Working long and hard for several years with a wondrous editor, Tamar Brazis at Abrams, helped shape the book and its conceptual development from the very beginning to the final bound pages. A next important phase after the completion of the manuscript was that of illustration.

It was decided that Alyssa Nassner would do the book featuring anthropomorphic characters — bunnies, bears, tigers, kittens. And she pulled it all off in a most charming, child-friendly, loving way.

Following that line of thought, did you encounter any surprises – such obstacles or poetic perspectives – along the way?

I am always impressed with the hard work, the diligence, poets put into their writing. Many poems were written, edited by me, rewritten and oft time re-re-rewritten. Those who work with me know I have a definite philosophy about what I want to give to our youth. I detest ‘bathroom humor’, light verse that says nothing. Each poem in LULLABY… has been crafted to bring strong self-concept to a child.

A general question for you: What is perfect about children’s poetry these days, what is missing, and what is there too much of?

I wish there was more Poetry with a capital P. There is too much light verse that goes nowhere, straining to be silly. The sidewalk ended a long time ago and very well with the brilliance of Shel Silverstein. It will take giant steps to widen the pathway!

I wish there were more anthologies being published for all ages. There are fewer and fewer. In 2014 we saw two; in 2015 we’ll be lucky to see four – and three of them are mine. We need more diversity, more voice within the genre.

I wish editors would publish books of poetry by a single author on a variety of themes rather than on one subject. Past collections by masters such as Myra Cohn Livingston, Eve Merriam, Lilian Moore, et. al., didn’t have to have one theme. They offered a smorgasbord of work and it was all delicious fare.

I have to agree. Books by folks like Silverstein and Dorothy Aldis, who greatly influenced me, were rarely one-theme books. Are you at liberty to let readers in on any news about future projects?

Forthcoming in Fall is JUMPING OFF LIBRARY SHELVES: A BOOK OF POEMS, illustrated by Jane Manning (Wordsong/Boyds Mills Press), my heartfelt tribute to libraries, librarians, storytellers and books. A stellar roster of poets are included such as X. J. Kennedy, Nikki Grimes, Jane Yolen, Alice Schertle, as well as never-before-published works.

Another major work will appear this Fall if the book stays on schedule.

Finally, I have to ask…what keeps Lee Bennett Hopkins going?

What doesn’t keep me going? I am interested in everything from idiotic politicians’ points-of views to hunting for purple clothing — from finding a good restaurant to searching for a thrilling theatrical experience.

Then there is that thing called ‘poetry’. Damn it sometimes. It envelopes me — my life, my heart. It is food, drink, manna, stuff that makes life worth living.  I live to pass the poetry…that stuff with the capital “P”.

Lullabye coverAnd we get to share in that love of poetry with you, Lee! Thanks so much for taking the time to chat.

Remember, Lullaby and Kisses Sweet: Poems to Love with Your Baby is on sale now at your favourite bookstore and online, so I do hope you’ll pick up a copy and enjoy it. For a young child’s birthday or even a baby shower – this makes a perfect gift! Thanks again to Lee for believing in me and giving me my first “big break,” and thank you to all of you who take time out of your busy days to read this blog…I appreciate your support, as well!

Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
PoetsGarage-badgeTo keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)  Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Review: “A Rock Can Be…”

It’s been awhile since I’ve posted any new blog entries – save for my Poetry Friday posts – and for that I apologize. My wife and I have been dealing with family problems (ailing, elderly parents), house problems (now that the new $8000 furnace/boiler and $2000 electrical panel are installed, there are ice dams on our roof), and vehicle problems (last Friday, the left rear tire flew off my truck while my wife was driving home – not good).

And of course, here in New England, we’ve been getting major snowstorms every week, which means snow blowing, shoveling, and school cancellations…and until 2 days ago, I was doing it without a snow blower, since ours was in the repair shop.

There has also been some good news, though:  I’ve written two new picture book manuscripts in the past month, which has taken quite a bit of my time, and I also received some FANTASTIC news a few weeks ago that I’m dying to share with you. I can’t say anything yet, but it’ll be a big announcement when I do!

rcb coverSo for today, I wanted to share some other big news…a new children’s book hitting stores this Sunday, March 1!

Wait – has it been a year already? Last April I reviewed author/poet Laura Purdie Salas’ book, Water Can Be… as part of my National Poetry Month celebration, and now here it is 11 months later and she has another book in her series!

Salas’ new book, A Rock Can Be… (Millbrook Press) follows the same concept as Water in that it takes a very simple subject and poetically expounds on it…but she does it with such aplomb you almost don’t realize how deceptively insightful her observations are.

Starting with the idea that every rock has a story to tell, Salas begins, “A rock can be… / tall mountain/ park fountain / dinosaur bone / stepping stone…” and goes on to include volcanoes, phosphorescence, architecture, skipping stones, and many more instances of rocks being more than just “rocks.”

For instance…



(click images to enlarge)


As I mentioned in my Water Can Be… review last April, it takes skill, patience, and a creative mind to write simply – and Salas has what it takes. It’s also nice to see illustrator Violeta Dabija, whose artistry can be seen on the previous two books in the series, is back to perfectly complement the text with vivid colour and textured illustrations.

In the back of the book readers can learn more about the rocks and images of which Salas makes note – such as stepping stones, flint, and even the moon. A glossary also helps younger readers to understand some of the imagery and concepts throughout the book.

A delightful read!

NEXT WEEK: Two days after A Rock Can Be… hits bookshelves, the first children’s book I have ever had the pleasure of being part of comes out! Lullaby & Kisses Sweet (Abrams Appleseed) is an unusual book – it’s a poetry anthology in board book form, designed for very young children up to the age of 5.

Lullabye coverI am extremely proud to have worked with the one and only Lee Bennett Hopkins, who edited the book, and to be included in a book that also features poems by such luminaries as Jane Yolen, J. Patrick Lewis, Charles Ghigna, Rebecca Kai Dotlich, David L. Harrison, X.J. Kennedy, Marilyn Singer, and many others. (Salas also contributed a poem, “Spaghetti,” to the collection)

As a first-ever publication, I couldn’t be more thrilled. To learn more about the book, check out this brief review from Publisher’s Weekly! (And once you read it, you’ll see why I’m more than happy to share the link!)

The day it goes on sale, Tue., March 3, I’ll be sharing a special interview with Lee Bennett Hopkins here on my blog. We’ll be talking about how the concept for the book came about, his thoughts on children’s poetry these days, and a couple of new projects he’s working on, so I hope you’ll stop back!

Did you like this post? Find something interesting elsewhere in this blog? I really won’t mind at all if you feel compelled to share it with your friends and followers!
PoetsGarage-badgeTo keep abreast of all my posts, please consider subscribing via the links up there on the right!  (I usually only post twice a week – on Tues. and Fri. – so you won’t be inundated with emails every day)  Also feel free to visit my voiceover website HERE, and you can also follow me via Twitter FacebookPinterest, and SoundCloud!

Poetry Friday: “Wildflowers, for Jane”

poetryfridaybutton-fulllToday is the first day of the annual New England SCBWI Conference in Springfield, Mass., and that’s where I’ll be most of this weekend – so if I don’t reply to your comments or chat on Facebook or Twitter much, it’ll be because I’m busy stuffin’ my brain.  The other reason I mention the conference is because today’s poem would not have turned out the way it did, had I not gone to the 2012 conference.

You see, last year I had the pleasure of meeting the one and only Jane Yolen.  We chatted about poetry, the conference workshops, and books, and I came away from our two separate conversations with some unexpected inspiration!

For months, I had been struggling with an idea for a poem that just would not gel.  I wanted to write something about wildflowers – lady slippers, in particular – but nothing worked.  Then a few days after I had gotten home from the conference, I came upon a poem of Jane’s that had just been published, titled “Tenth Avenue Highline.”  Even though it had nothing to do with wildflowers, it triggered something and I came up with the closing stanza.  Then the opening stanza.  And after a few days of working at it, I had finished the first draft!

It’s gone through several revisions since then, of course – but I’m pretty happy with it. Some folks have noted it has an old-fashioned sort of feel to it, which was my intention. I liked the idea of a pretty outdoor scene in the old countryside, almost like something out of American folklore, if that makes sense.

By the way, I was going to title it simply, “Wildflowers,” but I thought I should add ‘for Jane’ to the title, to give credit where credit was due…and fortunately, Jane liked it!  I hope you do, too.  And for all the Poetry Friday happenings, be sure to visit Liz Steinglass’ blog!


“Wildflowers, for Jane

Lilies of the Valley hang
Like silent little bells
That neither sang nor ever rang
Of welcomes and farewells.

Red clover, small and softly sweet,
Stands proud despite its size;
White daisies, with their nectar-treat,
Court bees and butterflies.

The Queen Anne’s Lace is in its place,
The buttercups are set,
A pitcher plant provides a vase –
And woeful fly’s regret.

While milkweed, with its many mates,
Sways nobly to and fro,
One tender Lady Slipper waits
For one fair, dainty toe.

– © 2012, Matt Forrest Esenwine